A Cultural History of Madrid: Modernism and the Urban Spectacle

By Deborah L. Parsons | Go to book overview

Notes

Chapter 1 Introduction: The Castizo Metropolis
1
The Guardian, January 19, 2002.
2
Luis Martín-Santos, Tiempo de Silencio (Barcelona: Editorial Seix Barral, 1974).
3
Pedro Almodóvar, The Patty Diphusa Stories, trans. Kirk Anderson (London: Faber and Faber, 1992), 92.
4
Richard Ford, Gatherings from Spain (London: Pallas Athene 2000), 15.
5
Alain de Botton, The Art of Travel (London: Hamish Hamilton, 2002), 104.
6
Ibid., 108.
7
H. V. Morton, A Stranger in Spain (London: Methuen, 2002), 3–4.
8
Georg Simmel, ‘The Metropolis and Mental Life’ (1903), in D. Frisby and M. Featherstone (eds), Simmel on Culture (London: Sage, 1997), 174–85.
9
Walter Benjamin, The Arcades Project, trans. Howard Eiland and Kevin McLaughlin (Cambridge, Mass.: Harvard University Press, 1999).
10
Raymond Williams, The Country and the City (London: Chatto and Windus, 1973) and The Politics of Modernism (London: Verso, 1989); T. J. Clark, The Painting of Modern Life: Paris in the Art of Manet and His Followers (London: Thames and Hudson, 1985); Christopher Prendergast, Paris and the Nineteenth Century (Oxford: Blackwell, 1992); Griselda Pollock, Visions of Difference: Femininity, Feminism and the Histories of Art (London: Routledge, 1989); Janet Wolff, ‘The invisible flâneuse’, Theory, Culture and Society 2:3 (1985), 37–48; Adrian Rifkin, Street Noises: Parisian Pleasure 1900–1940 (Manchester: Manchester University Press, 1993).
11
Nigel Thrift, ‘“Not a straight line but curve”, or, Cities are not mirrors of modernity’, in David Bell and Azzedine Haddour (eds.), City Visions (Harlow: Longman, 2000), 245.
12
Malcolm Bradbury and James McFarlane, Modernism 1890–1930 (London: Penguin, 1991), 13.
13
Jo Labanyi, ‘Ghosts of Modernity’, The Sir Henry Thomas Lecture Series, November 1, 2001, University of Birmingham.
14
Carlos Seco Serrano, Sociedad, literatura y politica en la España del siglo XIX (Madrid: Guadiana de Publicaciones, 1973), 196.
15
Michael Ugarte, Madrid 1900: The Capital as Cradle of Literature and Culture (Pennsylvania: The Pennsylvania State University Press, 1996).

-109-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
A Cultural History of Madrid: Modernism and the Urban Spectacle
Table of contents

Table of contents

  • Title Page *
  • Contents vii
  • List of Illustrations ix
  • Acknowledgements xi
  • Abbreviations xiii
  • 1 - Introduction: The Castizo Metropolis 1
  • 2 - Madrid, ‘Villa Y Corte’ 13
  • 3 - The Nineteenth-Century Capital 33
  • 4 - City of Contrasts 57
  • 5 - Cosmopolitan Lights 77
  • 6 - Urban Cosmorama 93
  • 7 - Epilogue 105
  • Notes 109
  • Select Bibliography 121
  • Index 127
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 129

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.