The Daughter's Return: African-American and Caribbean Women's Fictions of History

By Caroline Rody | Go to book overview

Works Cited

Abel, Elizabeth, Marianne Hirsch, and Elizabeth Langland. Introduction to The Voyage In: Fictions of Female Development. Hanover, N. H.: University Press of New England, 1983. 3–19.

Aguiar, Sarah Appleton. “‘Everywhere and Nowhere’: Beloved's ‘Wild’ Legacy in Toni Morrison's Jazz.Notes on Contemporary Literature 25, no. 4 (1995): 11–12.

Allen, Walter. “Bertha the Doomed. ” Review of Wide Sargasso Sea, by Jean Rhys. New York Times Book Review, 18 June 1967, 5.

Allende, Isabel. The House of the Spirits. New York: Knopf, 1985.

Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. ed. London: Verso, 1991.

Appiah, K. Anthony. “‘Spiritual Realism. ’” The Nation, 3 and 10 August 1992, 146–48.

Arnold, A. James. Introduction to Lyric and Dramatic Poetry: 1946–82, by Aimé Césaire. Ed. Arnold. xi–xli.

Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. The Empire Writes Back: Theory and Practice in Post-colonial Literatures. London: Routledge, 1989.

Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. The Post-colonial Studies Reader. London: Routledge, 1995.

Auerbach, Nina. Our Vampires, Ourselves. Chicago: University of Chicago Press, 1995.

Awkward, Michael. Inspiriting Influences: Tradition, Revision, and Afro-American Women's Novels. New York: Columbia University Press, 1989.

Baer, Elizabeth R. “The Sisterhood of Jane Eyre and Antoinette Cosway. ” In The Voyage In, by Abel et al. 131–48.

Baker, Houston A., Jr. Modernism and the Harlem Renaissance. Chicago: University of Chicago Press, 1987.

Balutansky, Kathleen M. Unpublished bibliography of Caribbean women writers. 1990.

Bambara, Toni Cade. “Reading the Signs, Empowering the Eye: Daughters of the

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