Beyond Aesthetics: Art and the Technologies of Enchantment

By Christopher Pinney; Nicholas Thomas | Go to book overview
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Beyond Aesthetics: Art and the Technologies of Enchantment
Table of contents

Table of contents

  • Title Page *
  • Contents v
  • Preface vii
  • Introduction 1
  • References *
  • 1 - Romanticism, from Foi Site Poetry to Schubert's Winterreise 13
  • Notes *
  • References *
  • 2 - Agency, History and Tradition in the Construction of 'Classical' Music: the Debate Over 'Authentic Performance' 31
  • Notes 50
  • References *
  • 3 - Why Knot? Towards a Theory of Art and Mathematics 57
  • Notes 75
  • References *
  • 4 - Captivation, Representation, and the Limits of Cognition: Interpreting Metaphor and Metonymy in Tahitian Tamau 79
  • Notes *
  • References *
  • 5 - What Makes Singo Different: North Vanuatu Textiles and the Theory of Captivation 97
  • Notes *
  • References *
  • 6 - The Captivating Agency of Art: Many Ways of Seeing 117
  • Notes *
  • References 135
  • 7 - The Fame of Trinis: Websites as Traps 137
  • Notes *
  • References *
  • 8 - Piercing the Skin of the Idol 157
  • Notes *
  • References *
  • 9 - The Politics and Personhood of Tibetan Buddhist Icons 181
  • Notes *
  • References *
  • 10 - Aboriginal Cultural Production into Art: the Complexity of Redress 201
  • Notes *
  • References *
  • 11 - When the (oven) Gloves Are Off: the Queen's Baton - Doing What to Whom? 235
  • References *
  • 12 - The Patent and the Malanggan 259
  • Notes 276
  • References *
  • Index 287
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