Mother Imagery in the Novels of Afro-Caribbean Women

By Simone A. James Alexander | Go to book overview

Bibliography

Anderson, Benjamin. Imagined Communities: Reflection on the Origin and Spread of Nationalism. London: Verso, 1983.

Andrade, Susan Z. “The Nigger of the Narcissist: History, Sexuality, and Intertextuality in Maryse Condé's Heremakhonon.Callaloo 16:1 (winter 1993): 213-26.

Bakhtin, Mikhail. Rabelais and His World. Bloomington: Indiana Uni- versity Press, 1984.

—. Speech Genres and Other Late Essays. Ed. Caryl Emerson and Michael Holquist. Trans. Vern W. McGee. Austin: University of Texas Press, 1970.

Baugh, Edward. Critics on Caribbean Literature. New York: St. Martin's Press, 1978.

Bécel, Pascale. “Moi, Tituba Sorciere . . . Noire de Salem as a Tale of Petite Marronne.” Callaloo 18:3 (1995): 608-15.

Bell, Roseann P., Bettye J. Parker, and Beverly Guy-Sheftall, eds. Sturdy Black Bridges: Visions of Black Women in Literature. Garden City, N.Y.: Doubleday, Anchor Press, 1979.

Bennett, Louise. Jamaica Labrish. Kingston, Jamaica: Sangster's Book Store, 1966.

Benstock, Shari, ed. The Private Self: Theory and Practice of Women's Au- tobiographical Writings. Chapel Hill: University of North Carolina Press, 1988.

Berrian, Brenda F. Bibliography of Women Writers from the Caribbean. Washington, D.C.: Three Continents Press, 1988.

—. “Masculine Roles and Triangular Relationships in Maryse Condé's Une Saison à Rihata.Bridges 3 (1991): 5-20.

Blackburn, Regina. “In Search of the Black Female Self: African- American Women's Autobiographies and Ethnicity.” In Women's Autobiography: Essays in Criticism, ed. Estelle C. Jelinek, 133-48. Bloomington: Indiana University Press, 1980.

Bobo, Jacqueline. Black Women as Cultural Readers. New York: Colum- bia University Press, 1995.

Brathwaite, Edward Kamau. Contradictory Omens: Cultural Diversity

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