Asian American Short Story Writers: An A-to-Z Guide

By Guiyou Huang | Go to book overview

NAHID RACHLIN (1947-)

Robert D. Sturr


♦ BIOGRAPHY

Nahid Rachlin was born in Abadan, Iran. Her mother had previously given birth seven times (with five surviving children), and so she readily agreed to allow her childless sister to have her new baby. Thus, from six months to nine years old, Rachlin lived with her aunt in Teheran in the ancient and decayed neighborhood of Ghanat Abad. This enclave of traditionalism is typically the location of Rachlin's stories set in Iran.

Rachlin has described her aunt as a “staunchly religious Muslim” who was nevertheless “lenient with me” (“A Bitter Homecoming” 76). Her more secular father, a lawyer, feared that Rachlin would, according to custom, be married while still a child. Accordingly, he kidnapped her when she was nine and took her to the family's home in the southwestern city of Ahvaz. This move was deeply traumatic because Rachlin had viewed her aunt as a mother and was made to feel unwelcome by her biological mother and siblings (with the exception of one sister). The sense of disruption and alienation stemming from this period appears repeatedly in Rachlin's fiction. She particularly dramatizes the struggles of women who must contend against callous and even abusive fathers and husbands who have ultimate control over their lives.

Rachlin found inspiration in American movies during her teenage years. As she has described it, the roles for women in these films led her “to realize that there were other possibilities in life besides getting married…having children, and settling for passive domesticity.” To escape that fate, she excelled academically and in 1964 was allowed to attend Lindenwood College in Missouri. However, its curricular emphasis on domesticity and enforcement of Christian worship was frustrating, and Rachlin has written that its

-257-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Asian American Short Story Writers: An A-to-Z Guide
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Preface ix
  • Acknowledgments xi
  • Introduction - The Asian American Short Story—the Cases of Sui Sin Far, Yamamoto, and Penaranda xiii
  • Peter Bacho (1950-) 1
  • Himani Bannerji (1942-) 5
  • Susham Bedi (1945-) 11
  • Cecilia Manguerra Brainard (1947-) 17
  • Carlos Bulosan (1911-1956) 23
  • Jeffery Paul Chan (1942-) 31
  • G.S.Sharat Chandra (1938-2000) 39
  • Diana Chang (1934-) 45
  • Frank Chin (1940-) 51
  • Susan Choi (1969-) 61
  • Chitra Banerjee Divakaruni (1956-) 65
  • Sui Sin Far (Edith Maude Eaton) (1865-1914) 73
  • Winnifred Eaton (1875-1954) 85
  • Jessica Hagedorn (1949-) 93
  • Gish Jen (1956-) 101
  • Ha Jin (1956-) 109
  • Lonny Kaneko (1939-) 115
  • Alex Kuo (1939-) 119
  • Jhumpa Lahiri (1967-) 125
  • Andrew Lam (1963-) 135
  • Evelyn Lau (1971-) 141
  • Chang-Rae Lee (1965-) 147
  • Don Lee (1959-) 151
  • Monfoon Leong (1916-1964) 155
  • Russell Leong (1950-) 159
  • Shirley Geok-Lin Lim (1944-) 167
  • David Wong Louie (1954-) 173
  • Darrell H.Y.Lum (1950-) 177
  • Rohinton Mistry (1952-) 183
  • Shani Mootoo (1958-) 189
  • Toshio Mori (1910-1980) 195
  • Bharati Mukherjee (1940-) 203
  • Fae Myenne Ng (1956-) 215
  • Hualing Nieh (1925-) 225
  • Susan Nunes (1943-) 237
  • Gary Pak (1952-) 243
  • Ty Pak (1938-) 251
  • Nahid Rachlin (1947-) 257
  • Raja Rao (1908-) 263
  • Patsy Sumie Saiki (1915-) 269
  • Bienvenido N. Santos (1911-1996) 273
  • Kathleen Tyau (1947-) 281
  • JosÉ Garcia Villa (1908-1997) 287
  • Sylvia A.Watanabe (1953-) 295
  • Hisaye Yamamoto (Desoto) (1921-) 303
  • Lois-Ann Yamanaka (1961-) 317
  • Karen Tei Yamashita (1951-) 327
  • Wakako Yamauchi (1924-) 333
  • John Yau (1950-) 337
  • Selected Bibliography 345
  • Index 349
  • About the Editor and Contributors 355
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 359

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

    Already a member? Log in now.