The Red Screen: Politics, Society, Art in Soviet Cinema

By Anna Lawton | Go to book overview

Contents
Introduction: An Interpretive Survey
Anna Lawton1
PART ONE From Potemkin to the Elbe
1 Government Policies and Practical Necessities in the Soviet Cinema of the 1920s
Kristin Thompson19
2 Ideology and Popular Culture in Soviet Cinema: The Kiss of Mary Pickford
Richard Taylor42
3 Cinema as Social Criticism: The Early Films of Fridrikh Ermler
Denise J. Youngblood66
4 Cinematic Abstraction as a Means of Conveying Ideological Messages in The Man with the Movie Camera
Vlada Petric90
5 The Kinetic Icon and the Work of Mourning: Prolegomena to the Analysis of a Textual System
Annette Michelson113
6 Mr Kuleshov in the Land of the Modernists
Vance Kepley, Jr.132
7 Films of the Second World War
Peter Kenez148
PART TWO From the Thaw to the New Model
8 The New Wave in Soviet Cinema
Herbert Marshall175
9 The War and Kozintsev's Films Hamlet and King Lear
Joseph Troncale193
10 The Image of Women in Contemporary Soviet Cinema
Françoise Navailh211

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