Transnational Chinese Cinemas: Identity, Nationhood, Gender

By Sheldon Hsiao-Peng Lu | Go to book overview

Contents
List of Illustrationsix
Preface xi
Historical Introduction Chinese Cinemas (1896-1996) and Transnational Film Studies Sheldon Hsiao-peng Lu1
Part I Nation-Building, National Cinema, Transnational Cinema
1 Anti-Imperialism and Film Censorship During the Nanjing Decade, 1927-1937 Zhiwei Xiao35
2 Two Stage Sisters: The Blossoming of a Revolutionary Aesthetic Gina Marchetti59
3 From "Minority Film" to "Minority Discourse": Questions of Nationhood and Ethnicity in Chinese Cinema Yingjin Zhang81
4 National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou Sheldon Hsiao-peng Lu105
Part II The Politics of Cultural and National Identity in the Cinemas of Taiwan and Hong Kong
5 Constructing a Nation: Taiwanese History and the Films of Hou Hsiao-hsien June Yip139
6 The Diaspora in Postmodem Taiwan and Hong Kong Film: Framing Stan Lai's The Peach Blossom Land with Allen Fong's Ah Ying Jon Kowallis169

-vii-

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