Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video

By Lynda E. Boose; Richard Burt | Go to book overview

Idaho; this emergent style and use of cultural capital is a wider context for the claiming and deployment of Shakespeare as cultural capital in Idaho.


REFERENCES
Arroyo, José (1993) “Death, Desire and Identity: The Political Unconscious of 'New Queer Cinema'”, in Joseph Bristow and Angelica R. Wilson, Activating Theory: Lesbian, Gay, Bisexual Politics, London: Lawrence & Wishart.
Baudrillard, Jean (1986) trans. Chris Turner America, London: Verso.
Burt, Richard (1994) “Baroque Down: The Trauma of Censorship in Psychoanalysis and Queer Film Re-Visions of Shakespeare and Marlowe, ” in Shakespeare in the New Europe, ed. Michael Hattaway, Boika Sokolova and Derek Roper, Sheffield: Sheffield Academic Press: 328-50
Chedgzoy, Kate (1995) Shakespeare's Queer Children, Manchester: Manchester University Press.
Cobos, Juan and Rubio, Miguel (1966) “Welles and Falstaff, ” Sight and Sound 35 (Autumn): 159-60. Quoted in Jack J. Jorgens, 109.
Dolar, Mladen (1991) “'I Shall Be With You on Your Wedding Night'; Lacan and the Uncanny”, October 58:5-23.
Francke, Lizzie (1995) “Postcards from the Edgy”, Guardian, London, 6 April.
Freud, Sigmund (1955a) “The Uncanny”, The Standard Edition of the Complete Psychological Works, ed. James Strachey, London: Hogarth, vol. XVII:217-53.
--(1955b) “Analysis of a Phobia in a Five Year Old Boy”, Standard Edition, vol X: 3-149.
Fuller, Graham (1993) “Gus Van Sant: Swimming against the Current, an interview by Graham Fuller”, in Even Cowgirls Get the Blues and My Own Private Idaho, London: Faber.
Garber, Marjorie (1987) Shakespeare's Ghost Writers, London: Methuen.
Jorgens, Jack J. (1977) Shakespeare on Film, Bloomington & London: Indiana University Press
Miller, Donald C. (1976) Ghost Towns of Idaho, Colorado: Pruett.
Pearson, Roberta E. and Uricchio, William. (1990) “How Many Times Shall Caesar Bleed in Sport: Shakespeare and the Cultural Debate about Moving Pictures”, Screen 31:3 (Summer).
Webster, Duncan (1988) Looka Yonder: The Imaginary America of Populist Culture, London: Routledge.
Wells, Stanley and Taylor, Gary (eds) (1988) The Oxford Shakespeare, Oxford: Clarendon Press.
Wilson, Robert F. (1992) “Recontextualizing Shakespeare on Film”, Shakespeare Bulletin, vol. 10, no. 3 (Summer): 34-7.

-239-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Plates vii
  • Introduction 1
  • 1 - Totally Clueless? 8
  • Notes 20
  • 2 - Race-Ing Othello, Re-Engendering White-Out 23
  • Notes 41
  • 3 - War is Mud 45
  • 4 - Top of the World, Ma 67
  • Notes 78
  • 5 - Popularizing Shakespeare 80
  • Notes 93
  • 6 - Shakespeare Wallah and Colonial Specularity 95
  • Notes 102
  • 7 - Poetry in Motion 103
  • References 119
  • 8 - When Peter Met Orson 121
  • References 134
  • 9 - In Search of Nothing 135
  • References 146
  • Stage Performances of King Lear Cited 147
  • 10 - A Shrew for the Times 148
  • Films and Videos Discussed 168
  • 11 - Shakespeare in the Age of Post-Mechanical Reproduction 169
  • References 185
  • 12 - Grossly Gaping Viewers and Jonathan Miller's Othello 186
  • 13 - Age Cannot Wither Him 198
  • Notes 213
  • 14 - Asta Nielsen and the Mystery of Hamlet 215
  • References 224
  • 15 - The Family Tree Motel 225
  • References 239
  • 16 - The Love That Dare Not Speak Shakespeare's Name 240
  • References 267
  • Index 269
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 279

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.