Western Music and Its Others: Difference, Representation, and Appropriation in Music

By Georgina Born; David Hesmondhalgh | Go to book overview

Experimental Oriental:
New Music and Other Others
John Corbett

In this essay I will seek to explicate some aspects of the underlying paradigm that frames and makes sensible the use of non-Western elements in Western art music of recent vintage. Specifically, we should wonder: How does Orientalism function in the experimental tradition? And what different forms does it take within that compositional world? Though we should not avoid the fact that there can, indeed, be a sinister side to the practice, it seems relevant to try to fully think through these issues before lumping all such borrowings together , bundling them up and tossing them overboard. Even if such dismissal or dressing-down were desirable, on the overdetermined cruise ship that transnational culture has now become, utopian separatism just is not feasible. Indeed, as we shall see, certain of the Orientalist appropriations have long ago been reappropriated by non-Western agents and put back to use in varied ways. The move to disentangle “authentic” ethnic music from its hybridized new-music forms can be seen as a reassertion of the peculiar Western power to define (and preserve) “pure” expressions of cultural ethnicity as opposed to their “tainted” counterparts. Better, it seems, to describe the underlying epistemic framework which provides a context for American and European classical music's overwhelming turn to the music of “other” cultures.

To elaborate the Orientalist tradition in new music in any comprehensive way would require a book of its own. What I aim to do here is simply lay out some overarching ideas and a sampling of pivotal figures and their work, primarily—though not exclusively—through the lens of the American experimental tradition and its polyglot offspring.


I. EXPERIMENT (OCCIDENT)

Though its exact genealogy is open to debate, American experimental composition first acquired escape velocity from the dominant European model

-163-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Western Music and Its Others: Difference, Representation, and Appropriation in Music
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • Acknowledgments ix
  • Introduction - On Difference, Representation, and Appropriation in Music 1
  • Notes 47
  • Musical Belongings - Western Music and Its Low-Other 59
  • Notes 78
  • Race, Orientalism, and Distinction in the Wake of the “yellow Peril” 86
  • Notes 110
  • Bartók, the Gypsies, and Hybridity in Music 119
  • Notes 137
  • Modernism, Deception, and Musical Others: Los Angeles Circa 1940 143
  • Notes 160
  • Experimental Oriental - New Music and Other Others 163
  • Notes 183
  • Composing the Cantorate - Westernizing Europe's Other Within 187
  • Notes 207
  • East, West, and Arabesk 213
  • Notes 229
  • Scoring the Indian - Music in the Liberal Western 234
  • Notes 251
  • The Poetics and Politics of Pygmy Pop 254
  • Discography 275
  • Notes 276
  • International Times - Fusions, Exoticism, and Antiracism in Electronic Dance Music 280
  • Notes 301
  • The Discourse of World Music 305
  • Notes 320
  • Contributors 323
  • Index 327
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 360

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.