Moses and Egypt: The Documentation to the Motion Picture The Ten Commandments

By Henry S. Noerdlinger | Go to book overview
ILLUSTRATIONS
MOSESFrontispiece
GROUP Ifollowing page52
The tables of the Law reproduced in early Canaanite lettering
GebelMusa, the peak of Sinai where "the glory of the Lord abode"
Ras Safsafeh, the "Horeb" of the Bible
Mural painting in the tomb of Rekhmere showing captives making bricks (Thebes)
Brick pit scene photographed in Egypt for The Ten Commandments
Pylons and gate, obelisks and colossi at Luxor, as engraved for Napoleon I
Pylons, gate and colossi of the biblical treasure city Raamses, erected and photographed in Egypt
Sethi I in his war chariot riding against the Canaanites (Karnak temple)
Detail showing adaptation of the Karnak temple sculpture to the set erected in Egypt
Pharaoh offering sacrifice to Sokar (Abydos)
The shrine of Sokar adjoining the "Hall of Audience" set
Model showing the erection of an obelisk
The erection of an obelisk for Sethi I's jubilee
GROUP II following page116
Pectoral representing the vulture, symbol of Nekhbet, goddess of Upper Egypt (Cairo Museum)
Replica of the vulture pectoral worn by Rameses II on the screen
Rameses II in his war chariot (Abu Simbel)
Rameses II, in his chariot, wearing the blue war crown and the armor of divine protection
Isis conducting Nefritiri to her tomb (Thebes)
Costume worn by Nefritiri in the film, inspired by murals in that queen's rock tomb
Mural in the tomb of the Vizier Mehou at Saqqarah presenting the performance of a dance
The ballet performed at Sethi I's court
Ancient Egyptian necklace on exhibit at the Metropolitan Museum in New York
The delicate necklace copied for the picture

-ix-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Moses and Egypt: The Documentation to the Motion Picture The Ten Commandments
Table of contents

Table of contents

  • Title Page i
  • Acknowledgements iii
  • Contents v
  • Illustrations ix
  • Introduction 1
  • The Historical Period 5
  • Moses 11
  • The Pharaohs 49
  • The Men and Women Of the Bible 63
  • The Holy Scriptures 73
  • The Army 89
  • Of Camels, Horses And Transportation 95
  • Building and Other Arts And Crafts 101
  • Costumes And Adornments 125
  • Food And Entertainment 159
  • Postscript 167
  • Bibliography 169
  • Libraries and Museums Consulted 177
  • Index 179
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 202

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.