THE ORIGIN OF MUSIC.

FORTY odd years ago I published an essay under the title--" The Origin and Function of Music." The doctrine contained in that essay has been variously criticized, in most cases adversely, both here and abroad. One of the earliest of my critics was Mr. Edmund Gurney, whose reasons for dissent occupied some pages in his work on The Power of Sound, as well as an essay in The Fortnightly Review for July 1876. To his criticisms I replied in a Postscript some few years ago appended to the original essay (see Essays, Library edition, vol. ii, pp. 437- 449). In this Postscript I also dealt with the opposed theory of Mr. Darwin, who ascribes human song, as he ascribes the songs of birds, to the incidents of courtship; and have there, I think, shown the untenability of his hypothesis. I propose here to deal with the hypotheses of several others.

In Mind for July 1891, Dr. Wallaschek, while combating the view elaborated by me, enunciated the view that the essential element in music is rhythm, He says:--

-52-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Facts and Comments
Table of contents

Table of contents

  • Title Page iii
  • Preface. v
  • Contents vii
  • Facts and Comments. - A Business-Principle 1
  • A Problem. 12
  • A New Americanisms. 16
  • Presence of Mind. 19
  • The Corruption of Music 26
  • Spontaneous Reform. 29
  • Feeling Versus Intellect. 35
  • The Purpose of Art. 44
  • Some Questions. 49
  • The Origin of Music. 52
  • Developed Music 61
  • Estimates of Men. 79
  • State-Education. 82
  • The Closing Hours. 94
  • Style. 97
  • Style Continued. 106
  • Meyerbeer 112
  • The Pursuit of Prettiness. 116
  • Patriotism. 122
  • Some Light on Use-Inheritance. 128
  • Party-Government. 135
  • Exaggerations and Mis-Statements. 145
  • Imperialism and Slavery. 157
  • Re-Barbarization. 172
  • Regimentation. 189
  • Weather Forecasts. 201
  • The Regressive Multiplication Of Causes. 210
  • Sanitation in Theory And Practice. 216
  • Gymnastics. 225
  • Euthanasia. 231
  • The Reform of Company--Law. 234
  • Some Musical Heresies. 245
  • Distinguished Dissenters. 258
  • Barbaric Art. 265
  • Vaccination. 270
  • Perverted History. 274
  • Grammar. 280
  • What Should the Sceptic Say To Believers? 292
  • Ultimate Questions. 300
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 314

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.