Modern Poetry: Studies in Practical Criticism

By C. B. Cox; A. E. Dyson | Go to book overview

6
BAVARIAN GENTIANS

by D. H. Lawrence

NOT every man has gentians in his house
in Soft September, at slow, Sad Michaelmas.
Bavarian gentians, big and dark, only dark
darkening the day-time torch-like with the smoking blueness of Pluto's gloom,
ribbed and torch-like, with their blaze of darkness spread blue
down flattening into points, flattened under the sweep of white day
torch-flower of the blue-smoking darkness, Pluto's dark-blue daze,
black lamps from the halls of Dio, burning dark blue,
giving of darkness, blue darkness, as Demeter's pale lamps give off light,
lead me then, lead me the way.

Reach me a gentian, give me a torch
let me guide myself with the blue, forked torch of this flower
down the darker and darker stairs, where blue is darkened on blueness.
even where Persephone goes, just now, from the frosted Sept-ember
to the sightless realm where darkness is awake upon the dark
and Persephone herself is but a voice
or a darkness invisible enfolded in the deeper dark

-66-

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Modern Poetry: Studies in Practical Criticism
Table of contents

Table of contents

  • Title Page 3
  • Contents 5
  • Acknowledgements 7
  • Introduction 9
  • 1 - After a Journey 33
  • 2 - The Listeners 41
  • 3 - The Sign-Post 48
  • 4 - Futility 52
  • 5 - Easter 1916 57
  • 6 - Bavarian Gentians 66
  • 7 - Marina 72
  • 8 - The Landscape Near an Aerodrome 80
  • 9 - Snow 85
  • 10 - Spain 1937 90
  • 11 - O Dreams, O Destinations 98
  • 12 - Poem for Elsa 109
  • 13 - Vanity 116
  • 14 - Fern Hill 122
  • 15 - The Horses 128
  • 16 - A Blackbird Singing 133
  • 17 - At Grass 137
  • 18 - The Casualty 142
  • 19 - Considering the Snail 147
  • 20 - On the Death Of a Murderer 153
  • Short Biographies 161
  • Suggestions For Further Reading 165
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