Thematic Guide to British Poetry

By Ruth Glancy | Go to book overview

Regret, Consolation, and
Melancholy

Many poems in this survey express regret or offer consolation because most human relations are touched at some time by feelings of regret for deeds done or not done, words said or not said. Consolation, if it happens at all, comes in different forms; sometimes the poet is left only with deep feelings of loss or disappointment, or with a consolation that fails to offer real solace. Closely related to regret is melancholy, a state of mind that has always been associated with the acutely sensitive poetic temperament that prefers solitude and is inclined to introspection and sadness.

One of the oldest poems written in England (in Old English, and therefore now mainly read in translation) is “The Wanderer” (c. 975). In this elegiac poem, the wanderer's philosophic speculation on life is set in a brief framework. The wanderer is an elderly warrior, far from home, whose companions and lord are dead. His meditation urges endurance, moderation, and patience under suffering. He offers advice on what it is to be wise, and how life's pains and losses lead to a humble, holy heart. The poem is famous for its use of the “ubi sunt” (“where are they?”) convention of the medieval Latin poem.

Many of Shakespeare's sonnets express regret, but the most sustained sonnet on this theme is Sonnet 30, “When to the sessions of sweet silent thought” (1709). In the first stanza the speaker tells us that when he remembers the past he laments how many of the things he had hoped for did not happen. Recalling these “old woes” reminds him of the time he has wasted, perhaps with the suggestion that he is wasting time now in recalling them. In the second quatrain he specifies what some of these losses are, which now bring a tear to his eye: valued friends now dead; old love affairs; “many a vanished sight.” At this point in the poem the reader can sense a gentle self-mockery in the speaker's tone: that he

-221-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Thematic Guide to British Poetry
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Introduction vii
  • Anthologies of British Poetry and Abbreviations Used xi
  • Active and Contemplative Lives 1
  • Art, Imagination, and Inspiration 15
  • Beauty 31
  • Carpe Diem 43
  • Christmas Poems 47
  • Death 53
  • Death of the Young 65
  • Duty 77
  • Fame and Ambition 81
  • Family Relations 85
  • Freedom and Captivity 89
  • The Golden Mean 93
  • Immortality 97
  • Industrialism and the City 105
  • Innocence and Experience 111
  • Love 119
  • Marriage 141
  • Music 153
  • Nature and Country Life 159
  • Old Age 187
  • Patriotism 193
  • Politics and Human Rights 197
  • Pride and Vanity 205
  • Rebellion and Conformity 215
  • Regret, Consolation, and Melancholy 221
  • Religion 229
  • Sleep 243
  • Time and Change 251
  • War 257
  • Biographical Sketches 269
  • Further Reading 293
  • Index 295
  • About the Author 305
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 306

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.