Zora Neale Hurston and a History of Southern Life

By Tiffany Ruby Patterson | Go to book overview

Prologue

ON A HOT AUGUST day in the 1920s, an unlikely couple motored through New England, stopping at an exclusive inn in Westchester County, New York. They were Fannie Hurst and Zora Neale Hurston, both writers, both female. One was an African American from the South whose rural southern heritage was imprinted in her color, language, and dress. The other was Jewish, and her heritage was hidden beneath her color, language, and dress. One was passing, the other could not. On many of their excursions together, they had discovered that race mattered in some places and not in others. They were welcomed into hotels and restaurants in Ontario, Canada.1 At hotels in the United States, however, Hurston was often shunted off to the servants' quarters, if a place could be found for her at all. In a show of solidarity, Hurst once offered to refuse accommodation. But Zora Neale Hurston's response puzzled the white middle-class liberal, who detected no sense of indignation.2 Unmoved by either the insult or Hurst's display of empathy, Hurston quipped, “If you are going to take that stand, it will be impossible for us to travel together. This is the way it is and I can take care of myself as I have all my life. I will find my own lodging and be around with the car in the morning.”3

On this particular day in Westchester County, however, Hurston revealed a ripple in the apparent calm of her mental state. Fannie Hurst, dressed and behaving like a Fitzgerald heroine,4 abruptly

-1-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Zora Neale Hurston and a History of Southern Life
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Acknowledgments vii
  • Prologue 1
  • Introduction - Rootedness—the History of Private Life 5
  • 1: Reconstructing Past Presents 19
  • 2: Portraits of the South: Zora Neale Hurston's Politics of Place 32
  • 3: A Place Between Home and Horror 50
  • 4: Sex and Color in Eatonville, Florida 90
  • 5: A Transient World of Labor 128
  • 6: Patronage: Anatomy of a Predicament 159
  • Epilogue 183
  • Notes 185
  • Index 217
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 230

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.