A Power Stronger Than Itself: The AACM and American Experimental Music

By George E. Lewis | Go to book overview

5
FIRST FRUITS

The First Year: Concerts, Critics, and Issues

The AACM means a new order; possibility of order in the middle of
the musical, catch-as-catch-can world.

—J. B. Figi, “Jazz”

On August 5, 1965, the Association for the Advancement of Creative Musicians was chartered by the State of Illinois as a nonprofit, taxexempt organization. The incorporators, or signatories to the charter, were Philip Cohran, Stephen McCall, Jodie Christian, Sandra Lashley, and Richard Abrams. The board of directors listed on this first official AACM document included Eugene Easton, Lester H. Lashley, Malachi Favors, Jodie Christian, and flutist Robert R. Green. The official address of the corporation was listed as 511 East 87th Place, the address of Lester and Sandra Lashley.1 Legally, the organization was obliged to state its purposes to be chartered. Rather than cobbling together a set of vague phrases in the interests of flexibility, the organization took this obligation with the utmost seriousness. Particularly for a “Number Nine” organization, the resulting set of nine purposes reflected serious engagement with social, cultural, and spiritual issues affecting black musicians and their community.

Historian Eric Porter points out that despite many bebop musicians' attempts to foster an image of respectability, the music was

-115-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Upgrade your membership to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
A Power Stronger Than Itself: The AACM and American Experimental Music
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Preface - The AACM and American Experimentalism ix
  • Acknowledgments xv
  • Introduction - An AACM Book: Origins, Antecedents, Objectives, Methods xxiii
  • Chapter Summaries xxxv
  • 1: Foundations and Prehistory 1
  • 2: New Music, New York 29
  • 3: The Development of the Experimental Band 55
  • 4: Founding the Collective 85
  • 5: First Fruits 115
  • 6: The AACM Takes Off 163
  • 7: Americans in Paris 215
  • 8: The AACM's Next Wave 259
  • 9: The AACM in New York 325
  • 10: The New Regime in Chicago 389
  • 11: Into the Third Decade 440
  • 12: Transition and Reflections 481
  • Afterword 497
  • Appendix A - Interviews Conducted by the Author 515
  • Appendix B - Selected AACM Recordings 519
  • Notes 525
  • Bibliography 601
  • Index 637
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved in your active project from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 677

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Upgrade your membership to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.