BU Special Collections, Mugar Library, Boston University
HFP Hoyt Fuller Papers, Special Collections, Woodruff Library, Clark Atlanta University
HU Moorland-Springarn Research Center, Howard University
NU Archives and Special Collections, Northeastern University Libraries, Northeastern University
SC Schomburg Center for Research in Black Culture, New York Public Library
SI Oral history interviews, Archives of American Art, Smithsonian Institution, Washington, D.C.
UMA W. E. B. Du Bois Library, Special Collections, University of Massachusetts-Amherst
UPWSC Umbra Poets Workshop Oral History transcripts, Schomburg Center for Research in Black Culture, New York Public Library
YU Beineke Library, Yale University
1 In this study, I generally employ the gender-inclusive locution "Chicana/o" (and "Latina/o," "Filipina/o," and "mestiza/o") except in quotations or where a specific gender designation seems appropriate. However, I do retain the term "Chicano movement" as the historical name for the Chicana/o analogue to the Black Power and Black Arts movements.
2 Gates, "Black Creativity," 74.
3 Black Panther Party Reconsidered, a collection of essays edited by Charles E. Jones, and Liberation, Imagination, and the Black Panther Party,a similar collection edited by Kathleen Cleaver