Bach's Works for Solo Violin: Style, Structure, Performance

By Joel Lester | Go to book overview

Works Cited

(Musical works, including editions of Bach’s solo-violin works, are listed in the index.)

Bach, Carl Philipp Emanuel. Versuch über die wahre Art das Clavier zu Spielen, vol. 2. Berlin: George Ludewig Winter, 1762. Facsimile ed., Leipzig: Breitkopf & Härtel, 1957 and 1969, chap. 41, ¶17. English translation by William J. Mitchell as Essay on the True Art of Playing Keyboard Instruments. New York: W. W. Norton, 1949, chap. 7, ¶17.

Bach, C. P. E., and Johann Friedrich Agricola. Obituary of J. S. Bach, Allgemeine musikalische Zeitung, 1754. English translation in Hans David and Arthur Mendel, eds., The Bach Reader. New York: W. W. Norton, 1945; revised ed., 1966, 215–24.

Baker, Nancy. “Heinrich Koch and the Theory of Melody.” Journal of Music Theory 20 (1976): 1–48

Bent, Ian. Analysis. New York: W. W. Norton, 1987.

———., ed. Music Analysis in the Nineteenth Century, 2 vols. Cambridge: Cambridge University Press, 1994.

Bonds, Mark Evan.Wordless Rhetoric: Musical Form and the Metaphor of the Oration. Cambridge: Harvard University Press, 1991.

Boyden, David. The History of Violin Playing from Its Origins to 1761 and Its Relationship to the Violin and Violin Music. London: Oxford University Press, 1965.

Braunlich, Helmut. “Johann Peter Kellner’s Copy of the Sonatas and Partitas for Violin Solo by J. S. Bach.” Bach [quarterly journal of the Riemenschneider Bach Institute] 12/2 (1981): 2–10.

Burmeister, Joachim. Musica poetica (Musical Composition). Rostock, 1606. English translation by Benito V. Rivera as Musical Poetics. New Haven: Yale University Press, 1993.

Burnham, Scott. “The Role of Sonata Form in A. B. Marx’s Theory of Form.” Journal of Music Theory 33 (1989): 247–71.

Buttstett, Johann Heinrich. Ut, mi, sol, re, fa, la, tota musica et harmonia aeterna; oder, neu-eröffnetes, altes, wahres, eintziges und ewiges Fundamentum musices, entgegen gesetzt dem neu-eröffneten Orchestre (Ut, mi,

-175-

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Bach's Works for Solo Violin: Style, Structure, Performance
Table of contents

Table of contents

  • Title Page iii
  • Preface v
  • Contents ix
  • One - The History of Bach's Solo-Violin Works 3
  • Two - The G-Minor Adagio 25
  • Three - The G-Minor Fuga 56
  • Four - The Siciliana of the G-Minor Sonata 87
  • Five - The G-Minor Presto 108
  • Six - The Partitas 139
  • Seven - Closing Thoughts 157
  • Notes 163
  • Works Cited 175
  • Index 183
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