Romantic Shakespeare: From Stage to Page

By Younglim Han | Go to book overview

Bibliography

THE BIBLIOGRAPHY IS CONFINED TO BOOKS AND ARTICLES REFERRED to in the book.

Adams, Richard, ed. Teaching Shakespeare. London: Robert Royce, 1985.

Ades, John I. “Charles Lamb, Shakespeare, and Early Nineteenth-Century Theater.” PMLA 85, no. 3 (May 1970): 514–26

Ainger, Alfred. Charles Lamb. London: Macmillan, 1888.

Albrecht, W. P. “Hazlitt’s Preference for Tragedy,” PMLA 71, no. 5 (December 1956): 1042–51

Albrecht, W. P. and Sylvan Barnet. “More on Hazlitt’s Preference for Tragedy.” PMLA 73, no. 4 (September 1958): 443–45.

Altick, Richard D. The English Common Reader: A Social History of the Mass Reading Public 1800–1900. Chicago & London: The University of Chicago Press, 1957.

———. Paintings From Books: Art and Literature in Britain 1760–1900. Columbus: Ohio State University Press, 1986.

The Anti-Jacobin Review and Magazine; or Monthly Political & Literary Censor 26 (March 1807).

Armstrong, Paul B. Conflicting Readings: Variety and Validity in Interpretation. Chapel Hill and London: The University of North Carolina Press, 1990.

Avery, Emmett L. “The Shakespeare Ladies Club.” Shakespeare Quarterly 7, no. 2 (Spring 1956): 153–58.

Babcock, Robert Witbeck. “The Direct Influence of Late Eighteenth Century Shakespeare Criticism on Hazlitt and Coleridge,” Modern Language Notes 45, no. 6 (June 1930): 377–87.

———. The Genesis of Shakespeare Idolatry 1766–1799: A Study in English Criticism of the Late Eighteenth Century. New York: Russell & Russell, 1964.

Badawi, M. M. “Coleridge’s Formal Criticism of Shakespeare’s Plays,” Essays in Criticism 10 (1960): 148–61.

———. Coleridge: Critic of Shakespeare. Cambridge: Cambridge University Press, 1973. Baker, Herschel. William Hazlitt. Cambridge: Harvard University Press, 1962.

———. John Philip Kemble: The Actor in His Theatre. New York: Greenwood Press, 1969.

Barish Jonas, The Antitheatrical Prejudice. Berkeley, Los Angeles, and London: University of California Press, 1981.

-232-

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Romantic Shakespeare: From Stage to Page
Table of contents

Table of contents

  • Title Page 3
  • Contents 7
  • Acknowledgments 9
  • 1 - Introduction- Shakespeare, Romantics, and Reader-Response Critics 13
  • 2 - Romanticism and Historicism 55
  • 3 - Lamb and the "Gap of Indeterminacy" 98
  • 4 - Coleridge and "Interpretive Communities" 144
  • 5 - Hazlitt and "Dialogic Communication" 187
  • Notes 212
  • Bibliography 232
  • Index 246
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