THE BIBLIOGRAPHY IS CONFINED TO BOOKS AND ARTICLES REFERRED to in the book.
Adams, Richard, ed. Teaching Shakespeare. London: Robert Royce, 1985.
Ades, John I. “Charles Lamb, Shakespeare, and Early Nineteenth-Century Theater.” PMLA 85, no. 3 (May 1970): 514–26
Ainger, Alfred. Charles Lamb. London: Macmillan, 1888.
Albrecht, W. P. “Hazlitt’s Preference for Tragedy,” PMLA 71, no. 5 (December 1956): 1042–51
Albrecht, W. P. and Sylvan Barnet. “More on Hazlitt’s Preference for Tragedy.” PMLA 73, no. 4 (September 1958): 443–45.
Altick, Richard D. The English Common Reader: A Social History of the Mass Reading Public 1800–1900. Chicago & London: The University of Chicago Press, 1957.
———. Paintings From Books: Art and Literature in Britain 1760–1900. Columbus: Ohio State University Press, 1986.
The Anti-Jacobin Review and Magazine; or Monthly Political & Literary Censor 26 (March 1807).
Armstrong, Paul B. Conflicting Readings: Variety and Validity in Interpretation. Chapel Hill and London: The University of North Carolina Press, 1990.
Avery, Emmett L. “The Shakespeare Ladies Club.” Shakespeare Quarterly 7, no. 2 (Spring 1956): 153–58.
Babcock, Robert Witbeck. “The Direct Influence of Late Eighteenth Century Shakespeare Criticism on Hazlitt and Coleridge,” Modern Language Notes 45, no. 6 (June 1930): 377–87.
———. The Genesis of Shakespeare Idolatry 1766–1799: A Study in English Criticism of the Late Eighteenth Century. New York: Russell & Russell, 1964.
Badawi, M. M. “Coleridge’s Formal Criticism of Shakespeare’s Plays,” Essays in Criticism 10 (1960): 148–61.
———. Coleridge: Critic of Shakespeare. Cambridge: Cambridge University Press, 1973. Baker, Herschel. William Hazlitt. Cambridge: Harvard University Press, 1962.
———. John Philip Kemble: The Actor in His Theatre. New York: Greenwood Press, 1969.
Barish Jonas, The Antitheatrical Prejudice. Berkeley, Los Angeles, and London: University of California Press, 1981.