Appendix
Other Publications by Samuel Weber dealing with Theater

“Tannhauser’s Start.” Program of the Bayreuth Festival, Summer 1987.

“Das Traumspiel: Eine Lekture.” Program, Stuttgart Schauspiel Production of Strindberg’s Dream Play, October 1987.

“Geschichte, Gestaltung, Geschlecht: Von den Wibelungen zum Ring.” In Wolfgang Storch, ed., Die Nibelungen: Bilder von Liebe, Verrat und Untergang (Munich: Prestel, 1987), pp. 64–65.

“La Boîte et le balcon: De la technique au théâtre.” Qui parle? Spring 1989.

Programmheft (Program), Genet’s Le Balcon. Düsseldorfer Schauspiel, February 1989. (Includes “Über die Treue zum Text” and “Die Wahrheit des Balkons.”)

“Theater, Technics and Writing.” 1–800, Fall 1989, pp. 15–19.

“Das Leiden an der Zeit: Gedanken zu Parsifal.” In Wolfgang Storch, ed., Les Symbolistes et Richard Wagner (Berlin: Edition Henrich, 1991), pp. 133–38.

“On the Balcony: The Theater of Technics.” In L. Lambrechts and J. Nowe, eds., Bild-Sprache: Texte zwischen Dichten und Denken (Leuven: Louvain University Press, 1990), pp. 283–97.

“Taking Place: Toward a Theater of Dislocation.” In David J. Levin, ed., Opera through Other Eyes (Stanford: Stanford University Press, 1993), pp. 107–46.

Nomos in The Magic Flute.” Trans. Luke Carson. Angelaki 3, no. 2, The Love of Music (1998): 61–88.

“Vor Ort: Theater im Zeitalter der Medien.” In G. Brandstetter, Helga Finter, and Markus Wessendorf eds., Grenzgänge (Tübingen: Gunter Narr, 1998), pp. 31–51.

“Theater als Übersetzung.” In Carsten Ahrens et al., eds. Axel Manthey: Theater (Vienna: Residenz, 1998), pp. 247–55.

-365-

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