Marguerite Duras: Fascinating Vision and Narrative Cure

By Deborah N. Glassman | Go to book overview

Bibliography

Alazet, Bernard. “Je m'appelle Aurélia Steiner.” Didascalies 3, Cahiers occasionnels de l'ensemble théâtre mobile (April 1982): 50–61.

______. “L'embrasement, les cendres.” Revue des Sciences Humaines 204. “Ecrivains dans la guerre” (1986–4): 147–60.

______. “Les roses de Versailles.” In Ecrire dit-elle, Imaginaires de Marguerite Duras, edited by Danielle Bajomée and Ralph Heyndels, 153–64. Brussels: Editions de l'Université, 1985.

______. “Les traces noires de la douleur.” Revue des Sciences Humaines 202: “Marguerite Duras” (1986–2): 37–51.

Altman, Rick. “Moving Lips: Cinema as Ventriloquism.” Yale French Studies 60 (1980): 67–79.

Amar, David, and Pierre Yana. “Sublime, forcément-sublime. A propose d'un article paru dans Libération.” Revue des Sciences Humaines 202. “Marguerite Duras” (1986–2):153–65.

Armes, Roy. The Ambiguous Image: Narrative Style in Modern European Cinema. Bloomington and London: Indiana University Press, 1976.

Bal, Miecke. Narratologie: Essais sur la signification narrative dans quatre romans modernes. Paris: Klincksieck, 1977.

Balàzs, Bêla. Theory of the Film: Character and Growth of a New Art. New York: Dover Publications, 1970.

Barthes, Roland. Fragments d'un discours amoureux. Paris: Seuil, 1977.

______. “Rhétorique de l'image.” Communications 4 (1964): 40–51.

Baudry, Jean Louis. “Ideological Effects of the Basic Cinematographic Appartus.” Translated by Alan Williams from Cinéthique 7/8 (1970): 1–8 as “Ideological Effects.” Film Quarterly 27:2 (Winter 1974–75): 39–47.

______. “The Apparatus.” Translated by Jean Andrews and Bertrand Augst. Camera Obscura 1 (1976): 104–26.

Belmans, J. “Un cinéma de la durée romanesque.” Synthèses 76 (1969): 122–30.

Benassy, M., and R. Diatkine. “Ontogenèse du fantasme.” Revue française de psychanlayse 4 (1964): 539–65.

Benveniste, Emile. Problèmes de linguistique générale 1. Paris: Gallimard, 1966.

Bernheim, Nicole-Lise. Marguerite Duras tourne un film. Paris: Editions Albatross, 1975.

Besnard-Coursodon, M. “La signification du métarécit dans Le Vice-Consul de Marguerite Duras.” French Forum 3 (1978): 72–83.

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Marguerite Duras: Fascinating Vision and Narrative Cure
Table of contents

Table of contents

  • Title Page 3
  • Contents 5
  • 1 - Presenting Marguerite Duras 9
  • 2 - Fascinating Vision and Narrative Cure : the Ravishing of Lol V. Stein 34
  • 3 - Le Vice-Consul and India Song: Dolores Mundi 62
  • 4 - Autographies and Fictions 93
  • Notes 122
  • Bibliography 142
  • Index 149
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