History Films, Women, and Freud's Uncanny

By Susan E. Linville | Go to book overview
CONTENTS
Acknowledgmentsvii
Introduction1
OneRemembering World War II: Aesthetics and Gender in the Combat Film of the 1990s37
TwoStanding Pat: The First Lady in Oliver Stone’s Nixon67
Three“The Mother of All Battles”: Courage Under Fire and the Gender-Integrated Military91
Four“Forget the Alamo”: Lone Star, Limbo, and the Limits of the Nation117
Epilogue9/11143
Notes153
Bibliography and Filmography177
Index187

-v-

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