Psychological Aesthetics: Painting, Feeling, and Making Sense

By David Maclagan | Go to book overview

References

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Auping, M. (1987) ‘Beyond the sublime.’ In M. Auping (ed) Abstract Expressionism: The Critical Developments. New York: Abrams.

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Bakhtin, M. (1968) Rabelais and his World. Translated by H. Iswolsky. London: M.I.T. Press.

Baxandall, M. (1991) ‘The language of Art Criticism.’ In S. Kemal and I. Gaskell (eds) The Language of Art History Cambridge: Cambridge University Press.

Beckley, B. and Schapiro, D. (1998) Uncontrollable Beauty: Towards A New Aesthetics. New York: Allworth Press.

Bell, C. (1914) Art. London: Chatto and Windus.

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Bowie, A. (1990) Aesthetics and Subjectivity: From Kant to Nietzsche. Manchester: Manchester University Press.

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Chapman, H. (2000) ‘A view from the boundary: An aesthetic philosopher encounters art and its history.’ In J. Swift and J. Swift Disciplines, Fields and Change in Art Education volume 2 Aesthetics and Art Histories. Birmingham: ARTicle Press.

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