Syncopations: The Stress of Innovation in Contemporary American Poetry

By Jed Rasula | Go to book overview

12
Syncope, Cupola, Pulse

for Nate Mackey’s
“cardiognostic need”
“as though song were a leg”
“as though the heart were a ventriloquist”

To re-make the mistake. Seize the flaw. Flow.

“The queen of rhythm, syncope, is also the mother of dissonance; it is
the source, in short, of a harmonious and productive discord. The
process allows some limping before the harmony, however: it is some-
times said that syncope ‘attacks’ the weak beat, like an enzyme, a wild-
cat, or a virus; and yet the last beat is the saving one. Attack and haven,
collision; a fragment of the beat disappears and of this disappearance,
rhythm is born.”     Catherine Clément, Syncope

Obatala (the “unblemished god… the serene womb of chthonic reflections… a passive strength awaiting and celebrating each act of vicarious restoration of his primordial being” [Wole Soyinka]) leads the deities in soaking up the human broth. In Sanskrit poetics, rasa is the savor, the aesthetic presentiment of divine nutrition; art as sublime altruism, from mortals to the immortals—this nudge of flavorful necessity.

A “physics of bliss, the groove, the inscription, the syncope: what is hollowed out, tamped down, or what explodes, detonates.” (Roland Barthes)

Speck or scar; striations of the fold, creasing the text. Stains, blurs, corruptions. Bracketed dust of Sappho, Archilochus…

-277-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Syncopations: The Stress of Innovation in Contemporary American Poetry
Table of contents

Table of contents

Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 311

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.