Walls of Empowerment: Chicana/o Indigenist Murals of California

By Guisela Latorre | Go to book overview

Bibliography

Secondary Source Material

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Aldrich Museum of Contemporary Art. Quotations: The Second History of Art. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1992.

Alvarado Tezozómoc, Hernando. Crónica mexicayotl. Mexico City: Impresora Universitaria, 1949.

Anaya, Rudolfo A., and Francisco Lomelí, eds. Aztlán: Essays on the Chicano Homeland. Albuquerque: University of New Mexico Press, 1989.

Anzaldúa, Gloria. “Border Arte: Nepantla, el lugar de la frontera.” In La Frontera = The Border: Art about the Mexico/United States Border Experience, ed. Kathryn Kanjo, 107–114. San Diego: Centro Cultural de la Raza, 1993.

———. Borderlands/La Frontera: The New Mestiza. 2nd ed. San Francisco: Aunt Lute Books, 1999.

———. “La Herencia de Coatlicue: The Coatlicue State.” In Borderlands/La Frontera: The New Mestiza, 2nd ed., 63–73. San Francisco: Aunt Lute Books, 1999.

Aranda-Alvarado, Rocio. “Charles Bojórquez: Taking ‘Old School’ Further.” American Art 18, no. 3 (Fall 2004): 88–91.

Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin, eds. The Post-Colonial Studies Reader. London: Routledge, 1995.

Austin, Joe. Taking the Train: How Graffiti Art Became an Urban Crisis in New York City. New York: Columbia University Press, 2001.

Austin, Joe, and Michael Nevin Willard. Generations of Youth: Youth Cultures and History in Twentieth-Century America. New York: New York University Press, 1998.

Avalos, David. “A Pure Mexican Accent: The Popular Engravings of José Guadalupe Posada.” Proceedings of the Pacific Coast Council on Latin American Studies 7 (1980–1981): 123–138.

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Bakhtin, Mikhail. The Dialogic Imagination: Four Essays. Austin: University of Texas Press, 1981.

Barnet-Sánchez, Holly. “Presence and Absence in the Work of Chicana Artists of the Movimiento = ¿Dónde están las grabadistas chicanas? Presencia y ausencia de la obra de las artistas chicanas en el movimiento chicano.” In Just Another Poster? Chicano Graphic Arts in California, ed. Chon Noriega, 117–149. Santa Barbara: University Art Museum, University of California, Santa Barbara; Seattle: Distributed by University of Washington Press, 2001.

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