The Edinburgh Companion to Ancient Greece and Rome

By Edward Bispham; Thomas Harrison et al. | Go to book overview

Acknowledgements

The editors wish to thank the following for their practical help or advice: Professor Moshe Amit, Professor Kai Brodersen, Dr Mark Pobjoy, Professor Neil Smith, Sue Willetts and the Joint Library of the Hellenic and Roman Societies, Institute of Classical Studies, London; Carol Macdonald, James Dale, Ann Vinnicombe and Fiona Sewell of Edinburgh University Press, for overseeing production with professionalism; and above all, John Davey, who first conceived the idea of the Companion, who put the editors together, and whose name should by rights appear alongside theirs.

The editors are grateful to a number of institutions and individuals for permission to publish works in their care and to reproduce their photographs. We apologise for any permissions that we have failed to record.

Athens, Acropolis Museum (Aesthetics 3); American School of Classical Studies, Alison Frantz Archive AT24 (Landscape 1); Epigraphical Museum 7279 (Inscriptions 1); German Institute of Archaeology inst. neg. 822 (Hege) (Aesthetics 3); Kerameikos Museum (Pottery 4); National Museum 743 (Dress 2)

Basel, Antiken Museum (Pottery 5); Berlin, Staatliche Museen zu Berlin BKP (Sculpture 5); Boston, Museum of Fine Arts (Landscape 4); Bristol, University of Bristol Sicily Expedition (Marine 2)

Cambridge, Fitzwilliam Museum (Gems 1–2); Museum of Classical Archaeology, photo Nigel Cassidy (Sculpture 1)

Derek Content (Gems 5); Dublin, Trinity College (Papyri 1–4)

Eccles Excavation Committee (Gems 3)

Florence, Alinari 27289 and 38033 (Landscape 6 and 5), Alinari Archives-Anderson Archive (Sculpture 8)

London, British Museum, Department of Coins and Medals (Coinage 2, 4, 6–8, 10); Department of Greek and Roman Antiquities (Aesthetics 1; Sculpture 2; Painting 6; Gems 8–9); Los Angeles, Getty Research Library, Wim Swaan collection 96.P.21 (Painting 7); The J. Paul Getty Museum (Pottery 2 and 3)

Madrid, Museo Arqueológico Nacional (Music 1, 3 and 5); Manchester, The Whitworth Art Gallery, The University (Dress 4); Munich, Staatliche Antikensammlung und Glyptothek (Landscape 2, Aesthetics 2 and 4)

Naples, National Archaeological Museum (Landscape 7 and 10; Sculpture 6; Painting 1); Newcastle-upon-Tyne, The Shefton Museum of Greek Art and Archaeology (Armour 1–2); New York, Metropolitan Museum of Art (Sculpture 3; Pottery 9 and 10; Dress 1)

Ostia, Museum (Sculpture 10); Oxford, Ashmolean Museum (Pottery 7; Gems 6–7, 10; Measures 1); Centre for the Study of Ancient Documents (Inscriptions 4)

Palestrina, Palazzo Barberini (Landscape 6); Paris, Musée de Louvre (Music 2 and 4); Piraeus, Museum (Measures 2a)

Reggio, Museo Nazionale di Reggio (courtesy of the Ministero per i Beni e le Attività Culturali n. 23, 9/04/2003) (Sculpture 4); Rome, British School at Rome (Sites 5); Fototeca Unione 3247F and 4737 (Dress 3; Sites 2); German Archaeological Institute inst. neg. 57.843, 58.1447, 59.1992, 61.2297, 66.1831 (Koppermann), 72.654A (Singer), 80.3236 (Schwanke) (Painting 2

-xi-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
The Edinburgh Companion to Ancient Greece and Rome
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Introduction ix
  • Acknowledgements xi
  • Part One- Classics and the Classical World - A. Classics in the Twenty-First Century 1
  • 1 - The History of the Discipline 3
  • 2 - History 9
  • 3 - Archaeology 15
  • 4 - Religion 21
  • 5 - Economy 24
  • 6 - Gender 27
  • 7 - Philology and Linguistics 30
  • 8 - Literature 35
  • 9 - Philosophy 41
  • 10 - Art History and Aesthetics 49
  • 11 - Classical Legacies 57
  • B - The Regions of the Ancient World 65
  • 12 - The Ancient near East 67
  • 13 - Iron Age Europe 72
  • 14 - Regions of Antiquity 78
  • C - Periods 85
  • 15 - The ‘Dark Age’ of Greece 87
  • 16 - Archaic and Classical Greece 92
  • 17 - The Hellenistic World 98
  • 18 - The Roman Republic 102
  • 19 - The Roman Empire 108
  • 20 - Late Antiquity 114
  • Part Two - Material Culture 121
  • 21 - Landscape 123
  • 22 - Marine Archaeology 135
  • 23 - Sites and Features 146
  • 24 - Buildings and Architecture 160
  • 25 - Coinage 173
  • 26 - Sculpture 183
  • 27 - Painting, Stucco and Mosaic 194
  • 28 - Pottery and Metalwork 206
  • 29 - Gems, Jewellery and Glass 217
  • 30 - Dress and Textiles 226
  • 31 - Arms and Armour 231
  • 32 - Papyri 238
  • 33 - Manuscripts 251
  • 34 - Inscriptions 262
  • Part Three- Texts and Genres 275
  • 35 - Greek Epic 277
  • 36 - Roman Epic 282
  • 37 - Greek Tragedy 288
  • 38 - Roman Tragedy 295
  • 39 - Greek Comedy 299
  • 40 - Roman Comedy 309
  • 41 - Greek Lyric Verse- Melic, Elegiac and Iambic 313
  • 42 - Latin Poetry Other Than Epic and Drama 323
  • 43 - The Novel 329
  • 44 - Letters 335
  • 45 - Rhetoric 339
  • 46 - Literary Criticism 351
  • 47 - Grammar and Linguistics 355
  • 48 - Philosophy 361
  • 49 - Greek Historiography 377
  • 50 - Roman Historiography 384
  • 51 - Geography and Ethnography 391
  • 52 - Mythology 396
  • 53 - Christian Literature 402
  • 54 - Science and Mathematics 407
  • 55 - Music 413
  • 56 - Medicine 423
  • 57 - Greek Legal Texts 428
  • 58 - Latin Legal Texts 433
  • 59 - Technical Writing 439
  • Part Four - Essential Information and Systems of Reference 445
  • 60 - Politics 447
  • 61 - Names and Naming Systems 465
  • 62 - Measures, Weights and Money 471
  • 63 - Writing Systems 477
  • 64 - The Ancient Calendar 485
  • 65- Metre 489
  • 66- Time-Charts 495
  • 67- Maps 520
  • 68. Glossary of Ancient and Modern Terms 530
  • 69 - Resources 545
  • 70 - Abbreviations 559
  • Contributors 582
  • Index 588
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 604

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.