American Cinema of the 1930s: Themes and Variations

By Ina Rae Hark | Go to book overview

1930–1939

Select Academy Awards

1929/1930

Best Picture: All Quiet on the Western Froit,Universal

BestActor: George Arliss in Disraeli, Warner Bros.

Best Actress: Norm a Shearer in The Divorcee,MGM

Direction: Lew is Milestone, All Quiet on the Western Froit, Universal

Writing: Frances Marion, The Big House,MGM

Cinematography: Joseph T. Rucker, Wilard Van Der Veer, With Byrd at the South

Pole, Paramount

1930/1931

Best Picture: Cimarron,RKO Radio

Best Actor: Lionel Barrymore in A Free Soul,MGM

Best Actress: Marie Dressler in Min and Bill,MGM

Direction: Norm an Taurog, Skippy, Paramount

Writing (adaptation): Howard Estabrook, Cimarron, RKO Radio

Writing (original story): John Monk Saunders, The Dawn Patrol, First National

Cinematography: Floyd Crosby, Tabu, Murnau-Flaherty, Paramount

1931/1932

Best Picture: Grand Hotel, MGM

Best Actor: (tie) Wallace Beery in The Champ, MGM

Fredric March in Dr.Jekyll and Mr.Hyde, Paramount

Best Actress: Helen Hayes in The Sin of Madelon Claudet, MGM

Direction: Frank Borzage, Bad Girl, Fox

Writing (adaptation): Edw in Burke, Bad Girl, Fox

Writing (original story): Frances Marion, The Champ, MGM

Cinematography: Lee Garmes, Shanghai Express, Paramount

1932/1933

Best Picture: Cavalcade,Fox

BestActor: Charles Laughton in The Private Life of Henry VIII, London Film, United Artists

-253-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
American Cinema of the 1930s: Themes and Variations
Table of contents

Table of contents

Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 280

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.