American Cinema of the 1930s: Themes and Variations

By Ina Rae Hark | Go to book overview

INDEX
Page numbers in italics indicate illustrations.
Abraham Lincoln (1930), 26
Ace of Aces (1933), 95
Adrian, 81
Adventures of Robin Hood, The (1938), 23, 210–211, 214
After the Thin Man (1936), 167
Ager, Milton, 116n
Ahern, Brian, 237
Alcott, Louisa May, 113–114
Aldrich, B ess Streeter, 92
Alexander's Ragtime Band (1938), 16
Algiers(1938), 23, 219, 222–226
Alice Adams(1935), 139
Allen, Hervey, 92
All Quiet on the Western Front(1930), 9, 26, 49
Amazing Dr. Clitterhouse, The(1938), 214
American Madness(1932), 72
Anderson, Eddie, 221
Anderson, Marian, xiii, 163
And Quiet Flows the Don (Mikhail A. Sholokhov), 118
Angel(1937), 184
Angels with Dirty Faces (1938), 12, 13, 214, 218, 223
Animal Crackers (1930), 20, 28, 40–46
Anna Christie (1930), 20, 26, 28, 36, 38–40
Anna Karenina (1935), 9, 139
Ann Vickers(1933), 18
Anthony Adverse(1936), 167
Anything Goes(1936), 167
Arlen, Harold, 92, 242
Armstrong, Louis, 167
Armstrong, Robert, 104, 105
Arnold, Edward, 217, 245
Arthur, Jean, 15–16, 140, 217, 245
Arzner, Dorothy, 19, 72, 167, 184
Astaire, Fred, 10, 15–16, 18, 25, 140, 165, 230; in Swing Time, 172–173, 173, 174–175, 179, 181
Ates, Roscoe, 67
Atwill, Lionel, 143
Awful Truth, The(1937), xvi, 11, 17–18, 184
Ayres, Lou, 28
Babes in Arms (1939), 10, 230, 244
Baby Face (1933), 98
Back Street(1932), 9, 11, 18, 72
Baclanova, Olga, 77
Bacon, Lloyd, 100–101, 103, 109, 112–113, 120
Bainter, Fay, 219, 220, 221
Baldeston, John, 52, 57
Balio, Tino, 6, 26, 28, 39, 49, 93, 113, 139–140, 161
Ball, Lucille, 192, 194
Bam bridge, William, 152
Bancroft, George, 234
Barker, "Ma" and "Pa," 140
Barnett, Vince, 75
Barrow, Clyde, xii, 117
Barrymore, John, 212–213
Barrymore, Lionel, 97, 197, 217
Bartholomew, Freddie, 15
Barty, Billy, 109
Baum, L. Frank, 232, 242
Baxter, Warner, 101, 167
Beard, Stymie, 221
Beau Geste(1939), 19, 230
Beavers, Louise, 126, 129
Becky Sharp (1935), xii, 139
Beery, Wallace, 14, 26, 29, 119, 139
Bennett, Constance, 18, 74
Bennett, Joan, 114, 115
Bergman, Andrew, 8, 11–12, 27, 104–105, 136
Berkeley, Busby, 10, 21, 95, 100–101, 103, 105, 109–113, 181
Berlin, Irving, 25, 209
Best, Willie, 160
Betty Boop for President(1932), 73
Bickford, Charles, 38
Big Broadcast, The (1932), 10, 70
Big Broadcast of 1936, The (1935), 10

-269-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
American Cinema of the 1930s: Themes and Variations
Table of contents

Table of contents

Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 280

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.