Chainsaws, Slackers, and Spy Kids: Thirty Years of Filmmaking in Austin, Texas

By Alison Macor | Go to book overview

Notes

This book is based on more than 150 interviews with the people involved in the creation and development of the Austin film scene. Biographical details and other background information have been taken from interviews (and, when necessary, verified with other sources) unless otherwise noted. When thoughts are attributed to an individual, they are also drawn from interviews. The research for this story also includes primary materials from personal collections and public archives as well as secondary materials such as newspaper articles and books. The following abbreviations appear throughout the notes to distinguish the source of quotations or specific information.

AIAuthor’s Interview
AHCAustin History Center, Austin Public Library, Austin, Texas
CAHThe Center for American History, University of Texas at Austin
THCThe Tobe Hooper Collection, Harry Ransom Humanities Research Center, University of Texas at Austin
WSCThe Warren Skaaren Collection, Harry Ransom Humanities Research Center, University of Texas at Austin

INTRODUCTION

1. Chale Nafus, AI, August 12, 2001.

2. Peter Biskind, Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock ‘n’ Roll Generation Saved Hollywood (New York: Simon & Schuster, 1998), 14; Austin City Council, “Austin Tomorrow: Interim Report,” September 1973, 13, CAH.

3. Tom Copeland, AI, June 2001.

-315-

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