Deleuze and Contemporary Art

By Stephen Zepke; Simon O’Sullivan | Go to book overview

Notes on Contributors

Eric Alliez

Eric Alliez is Professor of Contemporary French Philosophy at the Centre for Research in Modern European Philosophy, Middlesex University, London, UK. He is the author of many books on Deleuze, aesthetics and politics, including The Signature of the World (Continuum, 2004), Capital Times (University of Minnesota Press, 1996), L’Œil-Cerveau. Histoires de la peinture moderne, in collaboration with Jean-Clet Martin (Vrin, 2007), and La Pensée-Matisse, with Jean-Claude Bonne (Le Passage / Adam Biro, 2005).


Barbara Bolt

Barbara Bolt is Senior Lecturer in the Theory and Practice of Visual Media in the School of Culture and Communication at The University of Melbourne. She is a practising artist who has also written extensively on the visual arts and their relationship to philosophy. Her publications include a monograph, Art Beyond Representation: The Performative Power of the Image (I. B. Tauris, 2004), and two edited publications, Practice as Research: Approaches to Creative Arts Enquiry with Estelle Barrett (I. B. Tauris, 2007) and Sensorium: Aesthetics, Art, Life, with F. Coleman, G. Jones and A. Woodward (Cambridge Scholars Press, 2007).


David Burrows

David Burrows is Senior Lecturer in Fine Art at Birmingham City University, UK. He is an internationally exhibited artist based in London. Recent shows include Popnosis, Chungking Projects, Los Angeles 2005, Moonage Daydream, Praz-Dleavallade, Paris 2005, Mirror Works,

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