Facing the Music: Shaping Music Education from a Global Perspective

By Huib Schippers | Go to book overview

APPENDIX B
Sample Questions for Interviewing World
Musicians on Learning and Teaching
(90–120 minutes)
1. Can you tell me something about your own musical history?
Earliest remembered musical experiences?
Beginning to learn music (formally or informally)?
Formal musical training in your main tradition?
Musical training in other traditions (including Western art music)
2. From whom or where did you learn music in your main area of expertise?
At an institution for professional music training?
With a master in your particular tradition?
As part of a community in which this music is made as a matter of course?
Did your training lead to a formal qualification or recognition?
3. How did you learn music in your main area of expertise?
By rote as part of an aural tradition or through a formalized teaching program?
From scores, radio, recordings, or Web-based resources?
What was the balance between using notation and aural transmission (including recording)?
What was the balance between atomistic and holistic teaching?
What was the balance between emphasis on tangible and less tangible elements?
4. What are your attitudes toward various aspects of the music tradition you represent?
Do you see your tradition as fixed or constantly in movement?
What do you consider authentic in your music?
What do you consider to be appropriate contexts for your music?
5. What place does your music tradition have in the musical landscape?
In contemporary settings?
In its historical settings (various phases of its development)?

-171-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Facing the Music: Shaping Music Education from a Global Perspective
Table of contents

Table of contents

Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 218

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.