Spilling the Beans in Chicanolandia: Conversations with Writers and Artists

By Frederick Luis Aldama | Go to book overview

Cecile Pineda

In 1942 Cecile Pineda was born to a Swiss-French mother and a Mexican father. As a single child growing up in Harlem with largely absent parents (the father physically and the mother emotionally), she found solace and warmth in the literature and art books that filled up her godmother’s apartment nearby. It was here that Pineda’s love of reading and writing blossomed.

Having grown up breathing a domestic air filled with Spanish, French, and English, Pineda was already widely read in world literatures by the time she entered Barnard College in 1964. After graduating from college and working as an editor at Harper & Row, Pineda moved to San Francisco, where she discovered a passion for theatre. Working with dramaturge Paul Rebillot at San Francisco State University, Pineda quickly found her footing as a playwright. In the space of the theatre, she felt she could most effectively voice her sociopolitical concerns. Soon after graduating, she founded a collaborative ensemble company, Theatre of Man. Conceiving of it as a poet’s theater, she developed a theatrical language and archetypal characters to explore issues of sexism and racism in society. After her funding dried up in 1981, she turned full-time to the writing of narrative fiction.

Inspired by authors like Kobo Abe, Alain Robbe-Grillet, and Juan Rulfo, and by the mathematical concept of catastrophe, Pineda set pen to paper and wrote her first novel, Face (1985). Published to great critical acclaim, Face unfolds as a series of tangled, lucid dreams that follow the disfigured protagonist, Helio Cara, as he embarks on a journey of self-discovery in Rio de Janeiro. Following closely on its coattails, Pineda published her lyrical

-215-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Spilling the Beans in Chicanolandia: Conversations with Writers and Artists
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Acknowledgments vii
  • Introducing a Second Wave of Chicano/a Visual/Verbal Artists 1
  • Francisco X. Alarcón 37
  • Alfred Arteaga 53
  • Ricardo Bracho 69
  • Denise Chávez 79
  • Lucha Corpi 95
  • Dagoberto Gilb 107
  • Jaime Hernandez (of Los Bros Hernandez) 119
  • Juan Felipe Herrera 129
  • Richard Montoya (of Culture Clash) 143
  • Pat Mora 153
  • Cherríe Moraga 167
  • Alejandro Morales 177
  • Michael Nava 187
  • Daniel Olivas 199
  • Cecile Pineda 215
  • Lourdes Portillo 227
  • Luis J. Rodríguez 235
  • Benjamin Alire Sáenz 251
  • Luis Alberto Urrea 261
  • Alfredo Véa Jr 277
  • Alma Luz Villanueva 287
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 294

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.