The Marxist and the Movies: A Biography of Paul Jarrico

By Larry Ceplair | Go to book overview

9
Europe, 1958–75

Confidential [FBI] source advised on 1–14–59 that [name blacked
out] received correspondence from Paul Jarrico from 226 Rue de
Rivoli, Paris, France, and an individual in Los Angeles advised
that he has learned from [name blacked out] that subjects are
residing in Paris and that Paul Jarrico is attempting to find
employment in the movie industry and, if successful, will take up
residence in Paris for an indefinite period. Information concern-
ing subjects’ travel previously furnished to State, CIA, and above-
mentioned Legal Attachés [Paris, Rome, London].

J. Edgar Hoover, 1959

Within five days of Jarrico’s arrival in Paris, he and Michael Wilson met with Dino De Laurentiis to make a deal to adapt Ugo Pirro’s novel Jovanka e le altre (Jovanka and the Others), a story about World War II Yugoslavian partisans. De Laurentiis agreed to pay them $45,000. Two weeks later, Jarrico and Sylvia moved into a fiveroom apartment in the first arrondissement, at 226 Rue de Rivoli. It was situated on the Right Bank, halfway between the Place de la Concorde and the Louvre, overlooking the Jardin des Tuileries. It was rented to them at a very low price by a doctor who maintained a love nest in a room closed off from the rest of the apartment. The Jarricos began their Paris lives with liquid assets of $9,623.

Jarrico later claimed that it was not difficult being a writer in exile, given that most of his work was on English-language movies, mainly financed by American companies and intended for an international

-177-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
The Marxist and the Movies: A Biography of Paul Jarrico
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Preface vii
  • Abbreviations xi
  • Part 1- Screenwriting 1
  • 1- The Early Years 1915–36 3
  • 2- Screenwriting and Communism, 1936–39 25
  • 3- World War II, 1939–45 45
  • Part 2- Blacklist 81
  • 4- The Cold War in Hollywood, 1945–47 83
  • 5- The Interregnum, 1948–50 101
  • 6- The Blacklist Expands, 1951–52 117
  • 7- Salt of the Earth, 1952–54 137
  • 8- The Black Market and Khrushchev’s Speech, 1954–58 159
  • Part 3- Emigration 175
  • 9- Europe, 1958–75 177
  • 10- Political Battles, 1958–75 201
  • Part 4- Home Again 219
  • 11- Back in the USA, 1975–97 221
  • Epilogue 237
  • Filmography 243
  • Notes 255
  • Index 311
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 328

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.