Native Americans on Film: Conversations, Teaching, and Theory

By M. Elise Marubbio; Eric L. Buffalohead | Go to book overview

Index
Italic page numbers refer to illustrations.
Abbott, Lawrence, 208–9
Aboriginal Filmmaking/Filmmakers Program, 89–90
Aboriginal Peoples Television Network (Canada), 255
Achimist Films, 255
actors: Images of Indians on non-Indian actors playing Indian roles, 147–50; issues concerning in Indigenous feature films, 35–36; non-Indigenous actors in films, 43, 171n8. See also Indigenous/ Native actors
“actuality” film, 205. See also ethnographic representation
Adair, John, 225
Adams, Evan, 153, 178, 193, 253
aesthetics: Eurocentric, 54–56; Indigenous/Native, 107–8; sacred, 52
Aibel, Robert, 225
Akiwenzie-Damm, Kateri, 130
Alexie, Sherman: The Business of Fancydancing and, 16–17; cultural hybridity and, 200n24; impact of Smoke Signals on the career of, 217, 253, 254; The Lone Ranger and Tonto Fistfight in Heaven, 159; Native criticisms of, 177–78; Reservation Blues, 200n24; teaching about the films of, 212–17. See also Business of Fancydancing, The; Smoke Signals
Alison, Corey, 267
Allakariallak, 58, 61
allegorical films, 48–49
Allies company, 330–31
alternative temporalities, 50–51
America (1924), 143
American exceptionalism, 5
American Indian Quarterly, 208
America on Film (Benshoff and Griffin), 203, 204, 205
Ancient Traders Gallery, 326–27
Anderson, Anne, 100, 101
Anderson, Cochise, 294
And Then There Were None (Christie), 127
anthropology: audience reception studies and, 223–24 (see also Navajo audience reception study); salvage anthropology, 70, 86n40; theoretical perspectives on the effects of mass media, 224
Apache Indians, 151
Apocalypto (2006), 44
apprenticing strategies, 36–37, 61
archival images: in the video work of Dana Claxton, 118–20, 122–23, 125–26, 127
Archive and the Repertoire, The (Taylor), 127
Arnait Video Productions, 66, 77–78, 84n24
Arnatsiaq, Peter-Henry, 72
Arnold, Ellen, 214, 216

-373-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Native Americans on Film: Conversations, Teaching, and Theory
Table of contents

Table of contents

Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 390

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.