BIBLIOGRAPHY

Abrams, M. H. The Mirror and the Lamp. Oxford: Oxford University Press, 1971.

———. Natural Supernaturalism. New York: Norton, 1973.

Adorno, Theodor. Aesthetic Theory. Translated by Robert Hullot-Kantor. Minneapolis: University of Minnesota Press, 1998.

Albright, Daniel. Quantum Poetics. Cambridge: Cambridge University Press, 1997.

Alexandrov, Vladimir. Nabokov’s Otherworld. Princeton: Princeton University Press, 1991.

Allison, Henry. Kant’s Theory of Taste. Cambridge: Cambridge University Press, 2001.

Altieri, Charles. Painterly Abstraction in Modernist American Poetry. Cambridge: Cambridge University Press, 2009.

Arendt, Hannah. The Origins of Totalitarianism. 1951. New York: Harcourt Brace, 2004.

———. The Human Condition. 1958. Chicago: University of Chicago Press, 1998.

Ashbery, John. Houseboat Days. New York: , 1975.

———. Self-Portrait in a Convex Mirror. New York: Penguin, 1976.

———. Selected Poems. New York: Penguin, 1986.

———. And the Stars Were Shining. New York: Farrar, Straus and Giroux, 1995.

———. Can You Hear, Bird? New York: Farrar, Straus and Giroux, 1997.

———. The Mooring of Starting Out: The First Five Books of Poetry. New York: Ecco Press, 1998.

———. Wakefulness: Poems. New York: Farrar, Straus and Giroux, 1999.

———. Girls on the Run. New York: Farrar, Straus and Giroux, 2000.

———. Hotel Lautreamont. New York: Farrar, Straus and Giroux, 2000.

———. Your Name Here. New York: Farrar, Straus and Giroux, 2001.

———. Chinese Whispers. New York: Farrar, Straus and Giroux, 2002.

Auden, W. H. “Introduction,” in John Ashbery, Some Trees. New Haven, CT: Yale University Press, 1956.

Augustine. Confessions. 397–98. Translated by Henry Chadwick. Oxford: Oxford University Press, 2009.

Austen, Jane. Pride and Prejudice. 1813. New York: Penguin Classics, 2002.

Baars, Bernard. “In the Theater of Consciousness: Global Workspace Theory, a Rigorous Scientific Theory of Consciousness.” Journal of Consciousness Studies 4.4 (1997): 280–314.

Bate, Walter Jackson. John Keats. Cambridge, MA: Harvard University Press, 1963.

-171-

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Writing against Time
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Acknowledgments vii
  • Introduction - Writing against Time 1
  • 1 - Imaginary Music 23
  • 2 - The Addictive Image 57
  • 3 - Big Brother Stops Time 87
  • 4 - The Cultured Image 115
  • Conclusion - From Representation to Creation 139
  • Reference Matter 149
  • Notes 151
  • Bibliography 171
  • Index 185
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