Bibliography

Bentley, Eric. “Back to Broadway.” Theatre Arts 33 (November 1949): 10–19.

———.”On the Waterfront.” In What Is Theatre? New York: Beacon, 1956: 98–102, 222–25.

Bermel, Albert. “Right, Wrong and Mr. Miller.” New York Times, 14 April 1968.

Bigsby, C. W. E. “Arthur Miller.” In Confrontation and Commitment: A Study of Contemporary American Drama. Columbia: University of Missouri Press, 1967.

Blumberg, Paul. “Sociology and Social Literature: Work Alienation in the Plays of Arthur Miller.” American Quarterly 21 (1969): 291–310.

Boruch, Marianne. “Miller and Things.” Literary Review 24, no. 4 (Summer 1981): 548–61.

Brashear, William R. “The Empty Bench: Morality, Tragedy, and Arthur Miller.” Michigan Quarterly Review 5 (1966): 270–78.

Brater, Enoch. “Ethics and Ethnicity in the Plays of Arthur Miller.” In From Hester Street to Hollywood: The Jewish-American Stage and Screen, edited by Sarah Blacker Cohen. Bloomington: Indiana University Press, 1983.

Bronson, David. “An Enemy of the People: A Key to Arthur Miller’s Art and Ethics.” Comparative Drama 2 (1968): 229–47.

Broussard, Louis. American Drama: Contemporary Allegory from Eugene O’Neill to Tennessee Williams, 116–21. Norman: University of Oklahoma Press, 1962.

Brustein, Robert. “Arthur Miller’s Mea Culpa.” The New Republic 150 (8 February 1964): 26–30.

Centola, Steven R. “Confrontation with the Other: Alienation in the Works of Arthur Miller and Jean-Paul Sartre.” Journal of Evolutionary Psychology 1–2 (March 1984): 1–11.

Coen, Frank. “Teaching the Drama.” English Journal 56 (1967): 1136–39.

Cohn, Ruby. “The Articulate Victims of Arthur Miller.” In Dialogue in American Drama, 68–96. Bloomington: Indiana University Press, 1971.

Collins, Anthony R. “Arthur Miller and the Judgement of God.” South Central Bulletin 42 (1982): 120–24.

Corrigan, Robert W., ed. Arthur Miller: A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall, 1969.

Dworkin, Martin. “Miller and Ibsen.” Humanist 11 (1951): 110–15.

Flaxman, Seymour L. “The Debt of Williams and Miller to Ibsen and Strindberg.” Comparative Literature Studies, Special Advance Issue (1963): 51–59.

-139-

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Arthur Miller's All My Sons
Table of contents

Table of contents

  • Title Page i
  • Modern Critical Interpretations iv
  • Contents v
  • Introduction 1
  • The Question of Relatedness 5
  • Thesis and Drama 15
  • Joe Keller and His Sons 19
  • The Living and the Dead in All My Sons 27
  • Miller, Ibsen, and Organic Drama 33
  • The Failure of Social Vision 47
  • All My Sons and the Larger Context 63
  • "The Action and Its Significance- Miller’s Struggle with Dramatic Form 77
  • Two Early Plays 91
  • All My Sons 101
  • Realism and Idealism 107
  • The Dramatic Strategy of All My Sons 113
  • Bad Faith and All My Sons 123
  • Chronology 135
  • Contributors 137
  • Bibliography 139
  • Acknowledgments 141
  • Index 143
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