The Cultural Context of Medieval Music

By Nancy Van Deusen | Go to book overview

2. Cf. fifth edition of the Grove’s Dictionary of Music and Musicians, 9 vols., ed. Eric Blom (London, 1954) with the more recent The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie (London, 1980), for information on how much has been passed on from one generation of writers to the next, even from the late 19th century to the present. See also discussion of Franco of Cologne in Nancy van Deusen, Theology and Music at the Early University: The Case of Robert Grosseteste and Anonymous IV (Leiden, 1995), pp. 75, 202.

3. I am referring, for example, to Donald J. Grout, A History of Western Music (New York, l960); Gustave Reese, Music in the Middle Ages (New York, l940); and several other more recent contributions to the music textbook industry in the English language, primarily for the large undergraduate courses of universities in the United States—a substantial commercial enterprise, but one that has been at least partially responsible for extreme conservatism in how Western music history is related to generations of American undergraduate and graduate students.

-xiv-

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