Memory and Complicity: Migrations of Holocaust Remembrance

By Debarati Sanyal | Go to book overview

NOTES

Introduction: Pathways of Memory, Dangerous Intersections

1. Nathalie Sarraute adapting Katherine Mansfield in L’ère du soupçon (Paris: Gallimard, 1956), 33.

2. Wulf Kansteiner, “From Exception to Exemplum: The New Approach to Nazism and the ‘Final Solution,’” History and Theory 33, no. 2 (1994): 145–71.

3. Susan Suleiman, Crises of Memory and the Second World War (Cambridge, Mass.: Harvard University Press, 2006), 2.

4. Daniel Levy and Natan Sznaider, The Holocaust and Memory in the Global Age (Philadelphia: Temple University Press, 2006), 195; Jeffrey C. Alexander, Remembering the Holocaust: A Debate (Oxford: Oxford University Press, 2009), 3.

5. Andreas Huyssen, Present Pasts: Urban Palimpsests and the Politics of Memory (Stanford, Calif.: Stanford University Press, 2003), 14.

6. Richard Crownshaw, Introduction to the special issue on transcultural memory, Parallax 17, no. 4 (2011): 1. Memory’s unpre ce dented transcultural movement seems to be a new phase in what Richard Terdiman identified in relation to France’s postrevolutionary aftermath as modernity’s “massive disruption of traditional forms of memory.” See Terdiman, Present Past: Modernity and the Memory Crisis (Ithaca, N.Y.: Cornell University Press, 1993), 5.

7. Maurice Halbwachs, Les cadres sociaux de la mémoire (Paris: Félix Alcan, 1925).

8. Perry Anderson, The New Old World (London: Verso, 2011), 163. For a critical assessment of Pierre Nora’s sites of memory, see Michael Rothberg, “Between Memory and Memory,” in Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture, Yale French Studies, no. 118/119 (New Haven, Conn.: Yale University Press, 2010), 3–12; Anne Whitehead, Memory (Oxon, Eng.: Routledge, 2009), 141–47; and Ann Stoler in “Colonial Aphasia: Race and Disabled Histories in France,” Public Culture 23, no. 1 (2011):

-269-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Memory and Complicity: Migrations of Holocaust Remembrance
Table of contents

Table of contents

Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 342

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.