Closet Stages: Joanna Baillie and the Theater Theory of British Romantic Women Writers

By Catherine B. Burroughs | Go to book overview

Works Cited

Aaron, Jane. A Double Singleness: Gender and the Writings of Charles and Mary Lamb. Oxford: Clarendon Press, 1991.

Alexander, Meena. Women in Romanticism. Handmills, Basingstoke, Hampshire: Macmillan Education, 1989.

Angus, William. “Actors and Audiences in Eighteenth-Century London.” In Studies in Speech and Drama in Honor of Alexander M. Drummond, 123–38. Ithaca, N.Y.: Cornell University Press, 1944.

Anonymous [James Ridgway]. Memoirs of Mrs. Billington. London: James Ridgway, 1792.

Anonymous. “Mrs. Jordan and the Times.” In Vol. 2 of The Theatrical Inquisitor: or Literary Mirror. By Cerberus. London: William Molineaux, 1813.

———. “An Original Biographical Sketch of Mrs. Glover.” The Country Squire. By Charles Dance. London: Chapman and Hall, 1837.

———. “Preface.” The Court of Oberon, or The Three Wishes. By the Countess of Hardwicke. London, 1831.

———. Public and Private Life of that Celebrated Actress, Miss Bland, otherwise Mrs. Ford, or Mrs. Jordan; Late Mistress of HRH the Duke of Clarence; now King WilliamTV. By a Confidential Friend of the Departed. London: J. Duncombe, n.d. (1832?)

———. The Secret History of the Green-Room. Vol. 1. London: J. Owen, 1795.

———. Secret Memoirs of Harriot Pumpkin. London: J. Cahuac, n.d.

———. The Testimony of Truth to Exalted Merit; or, A Biographical Sketch of the Right Honourable the Countess of Derby in Refutation of a False and Scandalous Libel. 4th ed. London: George Cawthorn, 1797.

———. “To the Editor of the European Magazine. Plan for a Fashionable Rosciad; and some account of Mr. Fector’s Private Theatre at Dover.” The European Magazine, and London Review 14 (1788): 66–67.

Appleton, William W. Madame Vestris and the London Stage. New York and London: Columbia University Press, 1974.

Arbiter, Petronius. Memoirs of the Present Countess of Derby. London: Symonds, n.d. [1797].

Ardener, Shirley. “Ground Rules and Social Maps for Women: An Introduction.” In Women and Space: Ground Rules and Social Maps, ed. Shirley Ardener, 1–30. London: Croom Helm; New York: St. Martin’s Press, 1981.

Argyros, Ellen. “‘Intruding Herself into the Chair of Criticism’: Elizabeth Griffith and The Morality of Shakespeare’s Drama Illustrated” In Eighteenth-Century Women and the Arts, ed. Frederick M. Keener and Susan E. Lorsch, 283–89. New York: Greenwood Press, 1988.

Aspinall, A. “Introduction.” In Mrs. Jordan and Her Family, being the Unpublished

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