All Poets Welcome: The Lower East Side Poetry Scene in the 1960s

By Daniel Kane | Go to book overview

Index
Tracks on the compact disc are represented in italic type with the abbreviation CD followed by the track number.
Abrams, Sam, 140, 150
abstract expressionism, 3, 116
academia, 3, 4, 42–43, 99–100, 215n47. See also names of universities
Acconci, Vito Hannibal, xix, 154, 188, 198
Adams, Leonie, 42
Addison, Lloyd, 81
Adventures in Poetry, 154, 168, 257n5, 259n15, 263n54
African American poets/poetics. See Black
Arts movement; Umbra; Umbra poets; names of individual poets
Aldan, Daisy, 105
Algarín, Miguel, 203, 206; Aloud: Voices from the Nuyorican Café, 203, 204, 205
Allen, Donald, 8, 11, 17, 35. See also The New American Poetry: 1945–1960
Allen, Michael, 123, 124, 125, 250n21; departure from St. Mark’s, 187; and federal funding, 129, 130, 136, 127, 255n65; and firing of Jacobs, 145–48; and Ron Gold reading, 183, 185
Allen anthology. See The New American Poetry: 1945–1960
Aloud: Voices from the Nuyorican Café, 203, 204, 205
Amini, Johari, 85
Anderson, Margaret, 2, 61
Andrews, Bruce, 191, 197–98, 270n27; “Writing Social Work and Political Practice,” 194
Angel Hair, 153, 154, 156, 244n149
Angry Arts Week, 149, 150, 255–56n74. See also Genre of Silence
The Anonymous Diary of New York Youth (Mead), 66–67
Ant, Howard, 34, 35
An Anthology of New York Poets, 182, 266–67n93
Antin, David, 142; Angry Arts Week, 149, 150; antiwar movement, 66, 79; attack on, 181; and Poetry Project, 141–43; St. Mark’s benefit readings for, 16, 126–28; “Who Are My Friends,” CD4
Antonius, Brother, 40
appropriation, 46–47, 110–11, 112–18, 120, 154, 157–59, 259nn10,12
Artaud, Antonin, 13, 34, 236n50
Ashbery, John, 41; as apolitical, 262–63n47; “How Much Longer Shall I Be Able to Inhabit the Divine Sepulcher?” 114; “Last Month,” 46; and New York vs. Black Mountain schools, 24; on O’Hara’s poetics, 249–50n15; Padgett on, 42, 43; on role of readings, xvi–xvii; The Tennis Court Oath, 191; “They Dream Only of America,” CD13; “Thoughts of a Young Girl,”

-295-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
All Poets Welcome: The Lower East Side Poetry Scene in the 1960s
Table of contents

Table of contents

Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 310

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.