Local Acts: Community-Based Performance in the United States

By Jan Cohen-Cruz | Go to book overview

BIBLIOGRAPHY

Adams, Don, and Arlene Goldbard. 1990. “Grass Roots Vanguard.” In Crossroads: Reflections on the Politics of Culture. Talmage, CA: DNA Press.

———. 2001. Creative Community:The Art of Cultural Development. New York: Rockefeller Foundation.

Amkpa, Awam. 2004. Postcolonial Desires. London: Routledge.

Arvold, Alfred. 1923. The Little Country Theater. New York: Macmillan.

Ashton-Warner, Sylvia. 1963. Teacher. New York: Simon and Schuster.

Atlas, Caron. 2002. Interview by the author. February 15. New York.

———. 2003a. Interview by the author. August 19. New York.

———. 2003b. “Critical Perspectives Project.” Unpublished paper written for Animating Democracy Initiative. At http://www.americansforthearts.org/AnimatingDemocracy/ resource_center/publications.asp.

Bacon, Barbara Schaffer, Cheryl Yuen, and Pam Korza. 1999. Animating Democracy:The Artistic Imagination as a Force in Civic Dialogue. http://www.artsusa.org.

Baker, Don, and Dudley Cocke. 1994. Red Fox/Second Hangin.’ In Alternate ROOTS: Plays from the Southern Theater, ed. Kathie de Nobriga and Valetta Anderson, 57–102. Portsmouth, NH: Heinemann.

Bakhtin, Mikhail. 1981. The Dialogic Imagination. Trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press.

Bates, Esther Willard. 1925. The Art of Producing Pageants. Boston: Walter H. Baker Co.

Bean, Annemarie. Forthcoming. “The Free Southern Theater: Moving Between Movements.” In Group Theaters, ed. James Harding and Cindy Rosenthal. Ann Arbor: University of Michigan.

Becker, Carol. 1994. “Herbert Marcuse and the Subversive Potential of Art.” In The Subversive Imagination, 113–129. New York: Routledge.

———. 1995. “Our Students Need the City.” In Conversations Before the End of Time, ed. Suzi Gablik, 335–380. New York: Thames and Hudson.

Benhabib, Seyla. 1992. Situating the Self: Gender, Community and Post-modernism in Contemporary Ethics. New York: Routledge.

Benjamin, Walter. 1969. Illuminations. New York: Schocken.

Berger, Arthur Asa. 1992. Popular Culture Genres. Newbury Park, CA: Sage Press.

Berger, John. 1972. Ways of Seeing. London: Penguin Books.

Berger, Maurice, ed. 1998. The Crisis of Criticism. New York: New Press.

Bhaba, Homi. 1998. “Dance this Dis Around.” In The Crisis of Criticism, ed. Maurice Berger. New York: New Press.

Boal, Augusto. 1979. Theatre of the Oppressed. Trans. Charles A. and Maria-Odilia Leal McBride. New York: Urizen.

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Local Acts: Community-Based Performance in the United States
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • List of Illustrations ix
  • Acknowledgments xi
  • Introduction 1
  • Part One - Legacies 15
  • Chapter 1 - Early Antecedents 17
  • Chapter 2 - Motion of the Ocean 35
  • Chapter 3 - Establishing the Field 60
  • Part Two - Principles 79
  • Chapter 4 - Between Ritual and Art 81
  • Chapter 5 - Criticism 105
  • Part Three - Methodologies 127
  • Chapter 6 - Storytelling 129
  • Chapter 7 - Performance Structures 153
  • Closing- Boundary Jumping 181
  • Notes 191
  • Bibliography 195
  • Index 205
  • About the Author 213
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