The Invention of Robert Bresson: The Auteur and His Market

By Colin Burnett | Go to book overview

Selected Bibliography

Archives

Academy Film Archive, Fairbanks Center for Motion Picture Study, Beverly Hills, California: George Cukor Collection.

Bibliothèque du film, Paris: Fonds Crédit National, Fonds Pierre Charbonnier.

Dean Gallery, Scottish National Gallery of Modern Art, Edinburgh, Scotland: Roland Penrose Archive.


Books and Articles

Abdelmoumen, Smihi. “Entretien avec Robert Bresson.” Image et son 215 (January 1968): 68–71.

Abel, Richard. French Cinema: The First Wave, 1915–1929. Princeton, NJ: Princeton University Press, 1984.

———, ed. French Film Theory and Criticism, Volume I: 1907–1929. Princeton, NJ: Princeton University Press, 1988.

———, ed. French Film Theory and Criticism, Volume II: 1929–1939. Princeton, NJ: Princeton University Press, 1988.

“Adorable créatures.” Téléciné 35 (1953).

Agel, Henri. Esthétique du cinéma. Paris: Presses universitaires de France, 1966.

Agel, Henri, Jean-Pierre Barrot, and Jacques Doniol-Valcroze, ed. Sept ans de cinéma français. Paris: Éditions du cerf, 1953.

Ajame, Pierre. “Le cinéma selon Bresson.” Nouvelles littéraires, May 26, 1966, 1, 13.

Albera, François. L’avant-garde au cinéma. Paris: Armand Colin Cinéma, 2005.

Alceste. “Daquineries.” Je suis partout, April 30, 1943, 7.

Alpers, Svetlana. Rembrandt’s Enterprise: The Studio and the Market. Chicago: University of Chicago Press, 1988.

Alpers, Svetlana and Michael Baxandall. Tiepolo and the Pictorial Intelligence. New Haven, CT: Yale University Press, 1994.

Andrew, Dudley. André Bazin [1978]. New York: Columbia University Press, 1990.

———. “Desperation and Meditation: Bresson’s Diary of a Country Priest (1951).” In Modern European Filmmakers and the Art of Adaptation, edited by Andrew Horton and Joan Magretta, 20–37. New York: Frederick Ungar, 1981.

Annales de la Société d’Agriculture: Histoire naturelle et arts utiles de Lyon, quatrième serie, tome deuxième. Paris: Librairie de la société géologique de France, 1870.

Apart, André. “La technique du film en couleur.” La revue du cinéma 8 (Fall 1947): 79–80.

———. “La technique du film en couleur (fin).” La revue du cinéma 9 (January 1948): 78–80.

Arbois, Janick. Analysis of Journal d’un curé de campagne. Téléciné 25 (1951).

-245-

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