Visions of Avant-Garde Film: Polish Cinematic Experiments from Expressionism to Constructivism

By Kamila Kuc | Go to book overview

Index
abstraction, 35, 36, 61, 62, 90, 91, 101, 107, 111, 114, 119, 120, 133, 137, 140
actuality, 11, 14, 16–21
Adventure of a Good Citizen, The, vii, 105
Anemic Cinema, 132, 137
animation, ix, xii, xiii, 3, 22, 34–36, 40, 42, 46– 47, 49–51, 55–66, 68, 72–73, 101, 135, 136
Apollinaire, Guillaume, xii, 26, 36, 69, 76, 77, 79, 80, 81, 82
art pour l’art, l’, 2, 4, 33
Ballet Mécanique, 41, 101, 105, 107, 109, 120
Bazin, André, 1, 36, 124
Belmont, Leo, xii, 28, 30, 33
Benjamin, Walter, 15, 30
Berlewi, Henryk, xiii, 114, 115, 133, 134, 135
Birth of a Robot, The, 74, 127, 128, 129
Boots, xiii, 11, 22, 105, 121, 130, 131–132
Brzękowski, Jan, ix, xiii, 2, 88, 89, 90, 93, 106, 107, 115, 121
Brzeski, Janusz, Maria, ix, xiii, 22, 67, 70, 74, 92, 114, 125–129, 133, 137
Bruno, Giuliana, ix
Buñuel, Luis, 41, 83, 91, 105, 141
Bürger, Peter, 1, 2, 4, 68, 115, 118, 129
Calling Mr Smith, ix, 22, 67, 73–75, 121
Canudo, Ricciotto, 47, 96
catastrophism, 68, 82, 83, 85, 86, 87
Chaplin, Charlie, 56, 60, 72, 84, 87, 88, 91, 94, 120
Checefsky, Bruce, 107
Chien Andalou, Un, 41, 105, 141
Chomette, Henri, 99, 105, 108
Christie, Ian, ix, xi, 34, 41
cinema of attractions, 35, 43
cinematograph, viii, xii, 11–23, 30
Clair, René, 91, 99, 105, 109, 131
Concrete, 67, 70, 74–75, 83, 122, 126–129
constructivism, 3–6, 17, 34, 92, 96, 103, 105, 111– 117, 122–124, 133, 137, 140
Czyżewski, Tytus, 36, 69, 76–77, 79–80, 92, 115
Dada, xi, xiii, 4, 34, 36, 41, 68, 70, 71, 72, 73, 74, 82, 85, 86, 119
Dalí, Salvador, 41, 105, 141
Delluc, Louis, 95, 96
Diagonal Symphony, 107, 110
documentary, x, xi, 11, 14–22, 25, 36, 73, 74, 109, 127, 128, 132, 138, 139, 140
Duchamp, Marcel, 120, 132, 137
Dulac, Germaine, 65, 94, 95, 108, 110
dystopia, 83, 122, 127, 129
Eggeling, Viking, 40, 41, 61, 68, 91, 107, 108, 109, 110, 114, 134, 136
Eisenstein, Sergei, 36, 98, 103, 114, 121, 129, 130
Entr’acte, 105, 109, 141
Epstein, Jean, 78, 95, 96, 99, 100, 101, 103, 104, 108, 141
Europa, xiii, 22, 67, 70, 71–74, 83, 90, 91, 103, 104, 121, 122, 129, 130
expressionism, x, xii, 4, 35–37, 45, 50, 51, 61, 105, 140
Eye and the Ear, The, ix, x, xiii, 108–110
Fichte, Johann Gottlieb, 19, 32, 55
Fischinger, Oskar, xii, 35, 43, 44, 48, 51, 107, 110
Flaherty, Robert, 16, 94
Flirting Chairs, 36, 37, 41, 43, 44, 49, 68
formism, xii, 5, 35, 36, 38, 51, 56, 57, 115, 140
futurism, xii, xiii, 3, 5, 31, 34, 36, 40, 47, 51, 56, 57, 65–92, 103, 105, 112, 114–119, 122, 140
Gabryelski, Jerzy, ix, xiii, 22, 93, 105, 114, 121, 130–132, 137
Gance, Abel, 76, 94, 95, 98, 102
Giżycki, Marcin, 26, 27, 37, 76, 99, 101, 102, 108, 110, 127, 135
Graeff, Werner, 63, 107, 136
Greenberg, Clement, 2, 3, 4, 48
Grierson, John, 16, 17, 22, 99
Griffith, D. W., 36, 56, 98, 130
Gunning, Tom, xi, 16, 35

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