Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking

By Arnie Cox | Go to book overview
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Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking
Table of contents

Table of contents

  • Music and Embodied Cognition i
  • Title Page iii
  • Contents v
  • Acknowledgments vii
  • Music and Embodied Cognition ix
  • Introduction 1
  • Part One - Theoretical Background 9
  • 1 Mimetic Comprehension 11
  • 2 Mimetic Comprehension of Music 36
  • 3 Metaphor and Related Means of Reasoning 58
  • Part Two - Spatial Conceptions 83
  • 4 Pitch Height 85
  • 5 Temporal Motion and Musical Motion 109
  • 6 Perspectives on Musical Motion 134
  • Part Three - Beyond Musical Space 161
  • 7 Music and the External Senses 163
  • 8 Musical Affect 176
  • 9 Applications 200
  • 10 Review and Implications 221
  • Appendix I: Mimetic Subvocalization and Absolute Pitch 231
  • Appendix II: Levels of Abstraction among Metaphors 233
  • Notes 237
  • Bibliography 257
  • Index 273
  • Musical Meaning and Interpretation 287
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