The Works of Edgar Allan Poe - Vol. 3-4

By Edgar Allan Poe | Go to book overview

WHY THE LITTLE FRENCHMAN
WEARS HIS HAND IN A SLING

IT’S on my wisiting cards sure enough (and it’s them that’s all o’ pink satin paper) that inny gintleman that piases may behould the intheristhin words, “Sir Pathrick O’Grandison, Barronitt, 39 Southampton Row, Russell Square, Parrish o’ Bloomsbury.” And shud ye be wantin to diskiver who is the pink of purliteness quite, and the laider of the hot tun in the houl city o’ Lonon—why it’s jist mesilf. And fait that same is no wonder at all at all, (so be plased to stop curlin your nose,) for every inch o’ the six wakes that I’ve been a gintleman, and left aff wid the bog-throthing to take up wid the Barronissy, it’s Pathrick that’s been living like a houly imperor, and gitting the iddication and the graces. Och! and wouldn’t it be a blessed thing for your sperrits if ye cud lay your two peepers jist, upon Sir Pathrick O’Grandison, Barronitt, when he is all riddy drissed for the hopperer, or stipping into the Brisky for the drive into the Hyde Park.— But it’s the iligant big figgur that I ave, for the rason o’ which all the ladies fall in love wid me. Isn’t it my own swate silf now that’ll missure the six fut, and the three inches more nor that, in me stockings, and that am excadingly will proportioned all over to match? And is it ralelly more than the three fut and a bit that there is, inny how, of the little ould furrener Frinchman that lives jist over the way, and that’s a oggling and a goggling the houl day, (and bad luck to him,) at the purty widdy

-289-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
The Works of Edgar Allan Poe - Vol. 3-4
Table of contents

Table of contents

  • Title Page iii
  • Contents of Vol. III v
  • Berenice 1
  • Eleonora 12
  • Ligeia 20
  • Morella 41
  • Metzengerstein 48
  • Shadow—A Parable 60
  • Silence—A Fable 64
  • Philosophy of Furniture 69
  • A Tale of Jerusalem 77
  • A Tale of the Ragged Mountains 83
  • The Spectacles 97
  • The Duc de L’Omelette 130
  • The Oblong Box 135
  • King Pest 151
  • Three Sundays in a Week 167
  • The Devil in the Belfry 176
  • Lionizing 185
  • The Man of the Crowd 192
  • Never Bet the Devil Your Head 204
  • "Thou Art the Man" 217
  • The Sphinx 237
  • Some Words with a Mummy 244
  • Hop-Frog 266
  • Four Beasts in One the Homo-Cameleopard 279
  • Why the Little Frenchman Wears His Hand in a Sling 289
  • Bon-Bon 297
  • Contents of Vol. IV 319
  • Author’s Preface to the Poems, 1849 Edition 321
  • The Poetic Principle 323
  • Miscellaneous Poems the Raven 350
  • Lenore 356
  • Hymn 357
  • A Valentine 358
  • The Coliseum 359
  • To Helen 361
  • To—— 363
  • Ulalume 364
  • The Bells 367
  • An Enigma 371
  • Annabel Lee 372
  • To My Mother 373
  • The Haunted Palace 374
  • The Conqueror Worm 376
  • To F—s S. O—D 377
  • To One in Paradise 378
  • The Valley of Rest 379
  • The City in the Sea 380
  • The Sleeper 382
  • Silence 384
  • A Dream within a Dream 385
  • Dream-Land 386
  • To Zante 388
  • Eulalie 389
  • Eldorado 390
  • Israfel 391
  • For Annie 393
  • To 396
  • Bridal Ballad 397
  • Scenes from "Politian" 398
  • Poems Written in Youth 417
  • Al Aaraaf 418
  • Tamerlane 432
  • To —— 440
  • A Dream 441
  • Romance 442
  • Fairy-Land 443
  • The Lake—To—— 444
  • Song 445
  • To M. L. S—— 446
  • Dreams 447
  • Spirits of the Dead 448
  • Evening Star 449
  • "In Youth Have I Known One with Whom the Earth" 450
  • "The Happiest Day, the Happiest Hour" 451
  • Alone 452
  • Eureka 453
  • The Rationale of Verse 582
  • The Power of Words 638
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 643

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.