logue. Philip was captivated. He did not realise that little that Cronshaw said was new. His personality in conversation had a curious power. He had a beautiful and a sonorous voice, and a manner of putting things which was irresistible to youth. All he said seemed to excite thought, and often on the way home Lawson and Philip would walk to and from one another's hotels, discussing some point which a chance word of Cronshaw had suggested. It was disconcerting to Philip, who had a youthful eagerness for results, that Cronshaw's poetry hardly came up to expectation. It had never been published in a volume, but most of it had appeared in periodicals; and after a good deal of persuasion Cronshaw brought down a bundle of pages torn out of "The Yellow Book", The Saturday Review, and other journals, on each of which was a poem. Philip was taken aback to find that most of them reminded him either of Henley or of Swinburne. It needed the splendour of Cronshaw's delivery to make them personal. He expressed his disappointment to Lawson, who carelessly repeated his words; and next time Philip went to the Closerie des Lilas the poet turned to him with his sleek smile:

"I hear you don't think much of my verses."

Philip was embarrassed.

"I don't know about that," he answered. "I enjoyed reading them very much."

"Do not attempt to spare my feelings," returned Cronshaw, with a wave of his fat hand. "I do not attach any exaggerated importance to my poetical works. Life is there to be lived rather than to be written about. My aim is to search out the manifold experience that it offers, wringing from each moment what of emotion it presents. I look upon my writing as a graceful accomplishment which does not absorb but rather adds pleasure to existence. And as for posterity--damn posterity."

Philip smiled, for it leaped to one's eyes that the artist in life had produced no more than a wretched daub. Cronshaw looked at him meditatively and filled his glass. He sent the waiter for a packet of cigarettes.

"You are amused because I talk in this fashion and you know that I am poor and live in an attic with a vulgar trol-

-254-

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Of Human Bondage
Table of contents

Table of contents

  • Title Page *
  • I 1
  • II 3
  • III 6
  • IV 11
  • V 15
  • VI 19
  • VII 25
  • VIII 28
  • IX 33
  • X 39
  • XI 43
  • XII 49
  • XIII 53
  • XIV 56
  • XV 62
  • XVI 69
  • XVII 76
  • XVIII 82
  • XIX 86
  • XX 91
  • XXI 96
  • XXII 107
  • XXIII 111
  • XXIV 117
  • XXV 119
  • XXVI 122
  • XXVII 130
  • XXVIII 136
  • XXIX 143
  • XXX 146
  • XXXI 153
  • XXXII 156
  • XXXIII 165
  • XXXIV 175
  • XXXV 181
  • XXXVI 190
  • XXXVII 195
  • XXXVIII 201
  • XXXIX 208
  • XL 213
  • XLI 221
  • XLII 230
  • XLIII 236
  • XLIV 244
  • XLV 252
  • XLVI 261
  • XLVII 267
  • XLVIII 277
  • XLIX 286
  • L 294
  • LI 302
  • LII 307
  • LIII 315
  • LIV 321
  • LV 327
  • LVI 334
  • LVII 339
  • LVIII 345
  • LIX 353
  • LX 361
  • LXI 365
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  • LXIV 382
  • LXV 387
  • LXVI 391
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  • LXX 419
  • LXXI 427
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  • LXXIII 439
  • LXXIV 448
  • LXXV 455
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  • LXXIX 481
  • LXXX 489
  • LXXXI 494
  • LXXXII 503
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  • LXXXIV 513
  • LXXXV 520
  • LXXXVI 526
  • LXXXVII 531
  • LXXXVIII 540
  • LXXXIX 548
  • XC 552
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  • XCIII 570
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  • XCV 585
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  • Xcix 614
  • C 618
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  • Cxv 716
  • Cxvi 722
  • Cxvii 730
  • Cxviii 736
  • Cxix 744
  • Cxx 750
  • Cxxi 756
  • Cxxii 763
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