be rid of. Not valuing now the root it sprang; having found that it was of a sort which nothing but gold dust could manure, I have but half a liking to the blossom: especially when it looks so artificial as just now. I keep it and rear it rather on the Roman Catholic principle of expiating numerous sins, great and small, by one good work. I'll explain all this some day. Good-night."


CHAPTER XV.

MR. ROCHESTER did, on a future occasion, explain it. It was one afternoon, when he chanced to meet me and Adèle in the grounds; and while she played with Pilot and her shuttlecock, he asked me to walk up and down a long beech avenue within sight of her.

He then said that she was the daughter of a French opera dancer, Céline Varens, towards whom he had once cherished what he called a "grande passion." This passion Céline had professed to return with even superior ardour. He thought himself her idol, ugly as he was: he believed, as he said, that she preferred his "taille d'athlète" to the elegance of the Apollo Belvidere.

"And, Miss Eyre, so much was I flattered by this preference of the Gallic sylph for her British gnome, that I installed her in an hotel, gave her a complete establishment of servants, a carriage, cashmeres, diamonds, dentelles, etc. In short, I began the process of ruining myself in the received style, like any other spoony. I had not, it seems, the originality to chalk out a new road to shame and destruction, but trod the old track with stupid exactness, not to deviate an inch from the beaten centre. I had -- as I deserved to have -- the fate of all other spoonies. Happening to call one evening when Céline did not expect me, I found her out; but it was a warm night, and I was tired of strolling through Paris, so I sat down in her boudoir; happy to breathe the air consecrated so lately by her presence. No -- I exaggerate; I never thought there was any consecrating virtue about her: it was rather a sort of pastille perfume she had left: a scent of musk and amber, rather than an odour of sanctity. I was just beginning to stifle with

-148-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Jane Eyre
Table of contents

Table of contents

  • The English Comédíe Humaíne *
  • Title Page iii
  • Publishers' Note v
  • List of Illustrations vii
  • Preface xi
  • Chapter I 3
  • Chapter II 8
  • Chapter III 15
  • Chapter IV 24
  • Chapter V 39
  • Chapter VI 52
  • Chapter VII 60
  • Chapter VIII 69
  • Chapter IX 77
  • Chapter X 85
  • Chapter XI 96
  • Chapter XII 113
  • Chapter XIII 124
  • Chapter XIV 135
  • Chapter XV 148
  • Chapter XVI 160
  • Chapter XVII 170
  • Chapter XVIII 191
  • Chapter XIX 207
  • Chapter XX 217
  • Chapter XXI 233
  • Chapter XXII 255
  • Chapter XXIII 262
  • Chapter XXIV 273
  • Chapter XXV 292
  • Chapter XXVI 305
  • Chapter XXVII 316
  • Chapter XXVIII 344
  • Chapter XXIX 361
  • Chapter XXX 373
  • Chapter XXXI 383
  • Chapter XXXII 391
  • Chapter XXXIII 403
  • Chapter XXXIV 416
  • Chapter XXXV 440
  • Chapter XXXVI 451
  • Chapter XXXVII 461
  • Chapter XXXVIII 482
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 486

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

    Already a member? Log in now.