The Lying Valet: A Peep behind the Curtain; Or, the New Rehearsal. Bon Ton; Or, High Life above Stairs

By David Garrick; Louise Brown Osborn | Go to book overview

A PEEP
BEHIND THE CURTAIN;
OR,
The New Rehearsal.

ACT I.

SCENE I.
Covent Garden.

Enter Wilson and Mervin, booted. Wils. My dear Jack--ten thousand thanks for your punctuality--ready equipped, I see, to serve your friend.

Merv. But how can I serve you, my young Don Quixote? Am I to be your Sancho while your Knight Errantship is running away with this Dulcinea del Toboso?

Wils. I have given orders that my post-chaise shall wait in the broad way by Exeter-Change, and the moment the lady steps from her chair to the chaise, the postilions will crack their whips, and drive away like lightning.

Merv. You are a romantic fellow!--How can you possibly imagine, that your hot-headed scheme to run away with this young lady can ever be executed?

-53-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
The Lying Valet: A Peep behind the Curtain; Or, the New Rehearsal. Bon Ton; Or, High Life above Stairs
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • ILLUSTRATIONS vii
  • Introduction ix
  • The Lying Valet. 1
  • SCENE II. MELISSA'S Lodgings. 13
  • ACT II. 22
  • EPILOGUE, 44
  • A Peep Behind the Curtain; Or, The New Rehearsal. 47
  • PROLOGUE. 51
  • A PEEP BEHIND THE CURTAIN; OR, The New Rehearsal. 53
  • SCENE II. The Playhouse. 56
  • ACT II. The Stage. 74
  • Bon Ton; Or, High Life Above Stairs. 91
  • PROLOGUE, Written by GEORGE COLMAN. Spoken by Mr. KING. 95
  • ACT I. 99
  • SCENE III Lady Minikin's Apartments. 118
  • ACT II. 122
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 135

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.