Significant Contemporary American Feminists: A Biographical Sourcebook

By Jennifer Scanlon | Go to book overview

PEARL CLEAGE
(1948-)

Linda Rohrer Paige

Born in Springfield, Massachusetts, the daughter of Doris Graham Cleage, a teacher, and Rev. Albert B. Cleage, Jr., minister and founder of the Shrines of the Black Madonna of the Pan-African Orthodox Christian Church, Pearl Lomax Cleage experienced a childhood steeped in lively political debate, "strategy meetings," and "books, books, books" (Interview 1996). Indeed, the noted dramatist/poet and essayist considers her childhood home as "nothing less than a writer's paradise" (Interview 1996). Her earliest remembrances include a house strewn with writings, everything from works by Langston Hughes, to Simone de Beauvoir; from Richard Wright, to Margaret Sanger; and from Ossie Davis, to Arthur Miller. With parents passionate about the arts and politics, Cleage grew up in an atmosphere demanding intellectual excellence. At a time when many other young women of African American descent consumed their adolescence with boys, parties, sports, and sock hops, Cleage remembers excursions to the ballet and sights of Rudolf Nureyev, Margot Fonteyn, and the Ballets Africaines. Frequently visiting the theater and witnessing live performances of flamenco dancing, she delighted at the colorful dancers strutting metrically across polished floors (Interview 1996).

Influenced early by her mother, father, and older sister--and still later by her stepfather, lawyer Henry W. Cleage--the future award-winning playwright developed a personality as passionate as that of other family members. In Detroit, where she first met "our black and shining prince," Malcolm X ( Cleage, Deals 1993, 147), the young student excelled in school. During this period, perhaps, the beginnings of a "feminist consciousness" evidenced itself, for at age six, Cleage became enamored of a seven-year-old transfer student from Alabama--a boy who made her "cheeks flush crimson" and her toes curl like fries in hot oil ( Cleage, "In My Solitude" 1989, 57). Even then, however, she recognized that a disproportionate amount of her day had been spent thinking--either consciously or subconsciously--about this boy. By the time she reached thirty,

-66-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Significant Contemporary American Feminists: A Biographical Sourcebook
Table of contents

Table of contents

  • Editorial Board ii
  • Title Page iii
  • Copyright Acknowledgments v
  • Contents vii
  • Preface xi
  • Introduction xiii
  • Bella Abzug (1920-1998) 1
  • Paula Gunn Allen (1939-) 8
  • Gloria AnzaldÚa (1942-) 14
  • Frances Beale (1940-) 22
  • Rita Mae Brown (1944-) 28
  • Charlotte Bunch (1944-) 36
  • Pat Califia (1954-) 44
  • Judy Chicago (1939-) 51
  • Shirley Chisholm (1924-) 55
  • Esther Ngan-Ling Chow (1943-) 60
  • Pearl Cleage (1948-) 66
  • Kate Clinton (1945- ) 73
  • Mary Daly (1928- ) 79
  • Angela Davis (1944-) 86
  • Shulamith Firestone (1945-) 98
  • Jo Freeman (1945-) 104
  • Betty Friedan (1921-) 111
  • Ruth Bader Ginsburg (1933-) 118
  • Bell Hooks (1952- ) 125
  • Dolores Huerta (1930-) 133
  • June Jordan (1936-) 138
  • Evelyn Fox Keller (1936-) 145
  • Florynce Kennedy (1916-) 150
  • Audre Lorde (1934-1992) 156
  • Catharine Mackinnon (1946-) 163
  • Olga Madar (1915-1996) 174
  • Wilma Mankiller (1945-) 181
  • Del Martin (1921-) 188
  • Kate Millett (1934- ) 194
  • CherrÍe Moraga (1952- ) 201
  • Robin Morgan (1941-) 206
  • Pauli Murray (1910-1985) 213
  • Eleanor Holmes Norton (1937-) 218
  • Alice Paul (1885-1977) 223
  • Anna Quindlen (1952-) 231
  • Adrienne Rich (1929-) 238
  • Faith Ringgold (1930-) 245
  • Rosemary Ruether (1936-) 251
  • Joanna Russ (1937-) 257
  • Patricia Schroeder (1940-) 264
  • Eleanor Smeal (1939-) 271
  • Barbara Smith (1946-) 279
  • Gloria Steinem (1934-) 283
  • Margo St. James (1937-) 290
  • Alice Walker (1944- ) 297
  • Rebecca Walker (1969-) 305
  • Michele Wallace (1952-) 311
  • Sarah Weddington (1945-) 317
  • Ellen Willis (1941-) 327
  • Selected Bibliography 335
  • Index 341
  • About the Editor and Contributors 355
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 361

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.