Classical Influences on English Poetry

By J. A. K. Thomson | Go to book overview

CHAPTER TEN
SATIRE

THE Romans liked to think that satire was a Roman invention. The claim cannot be allowed without some qualification, but it contains enough truth to make it natural and up to a point justifiable. For the kind of satire which has influenced the history of literature was the work of Roman poets. They may be named at once: Lucilius, Horace, Persius, Juvenal. No Greek will be mentioned in this chapter.

Of Lucilius extremely little is known, his voluminous works having all but completely perished. It is evident from ancient testimony that he possessed vigour, learning and originality, with a sense of humour (perhaps rather hearty than fine) and a taste and talent for invective. He wrote the Latin of his time (the end of the second century before Christ) with idiomatic purity except where it was variegated with Greek words, their Latin equivalents not yet existing. Lucilius wrote on a wide variety of subjects, but much too rapidly, so that he was often prolix and careless. These were grievous defects in the eyes of Horace, who from the very beginning of his literary career was animated, like the youthful Pope, with a passion for what the latter called 'correctness'. It meant not only the refusal of any licences in grammar or metre, but a love of artistic finish for its own sake. When Horace, for reasons that need not be considered at this time, decided to continue the Lucilian tradition, he could not radically alter it, because it was a genre, and every genre had its own style, that being one of the great principles of classical art. At the same time Horace thought it possible to retain much of the native force and savour of Lucilius' verse while purifying it of its faults in expression and in metre. On the other hand it was not a possible course for a young man--Horace began his career as

-196-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Classical Influences on English Poetry
Table of contents

Table of contents

  • Title Page 3
  • Preface 5
  • Contents 7
  • Chapter One - The Epic 9
  • Chapter Two - The Epic Tradition in Antiquity 30
  • Chapter Three - The Epic Tradition in Modern Times: Milton 53
  • Chrapter Four - Didactic Poetry 75
  • Chapter Five - Tragedy 97
  • Chapter Six - Comedy 119
  • Chapter Seven - Lyric Poetry 138
  • Chapter Eight - Elegiac Poetry 159
  • Chapter Nine - The Pastoral 172
  • Chapter Ten - Satire 196
  • Chapter Eleven - The Epigram 239
  • Appendix 247
  • Index 265
  • Author's Quoted 270
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 274

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

    Already a member? Log in now.