Gershwin, George

The Columbia Encyclopedia, 6th ed.

Gershwin, George

George Gershwin (gŭrsh´wĬn), 1898–1937, American composer, b. Brooklyn, N.Y., as Jacob Gershwin. Gershwin wrote some of the most original and popular musical works produced in the United States. Although he studied harmony with Rubin Goldmark (see under Goldmark, Karl), he received most of his musical training in Tin Pan Alley, playing the piano for a publisher of popular music. He first achieved wide success with his song "Swanee." In addition to a great number of songs, he wrote the scores for several musicals, including George White's Scandals (1920), Lady, Be Good! (1924), Oh, Kay! (1926), Funny Face (1927), Girl Crazy (1930), and George S. Kaufman's Of Thee I Sing (1931; Pulitzer Prize).

In many compositions Gershwin combined traditional musical forms with jazz and folk themes and rhythms. They include Rhapsody in Blue (1924), a symphonic jazz composition for jazz band, piano, and orchestra; the Piano Concerto in F (1925); An American in Paris (1928), a tone poem incorporating elements of jazz as well as realistic sound effects; Porgy and Bess (1935; from the book by Dubose Heyward), a folk opera about African-American life, which includes the famous song "Summertime" ; and Three Preludes (1936), for the piano. Gershwin also composed music for Hollywood films.

His brother, Ira Gershwin, 1896–1983, b. Brooklyn, N.Y., wrote beautifully crafted lyrics for many Gershwin songs. The "rhymed conversation" that he wrote to his brother's music includes the words for "But Not for Me," "Fascinating Rhythm," "I've Got a Crush on You," and "'S Wonderful." After George Gershwin's death, Ira collaborated with such composers as Kurt Weill, Jerome Kern, and Harold Arlen.

Bibliography

See biographies by I. Goldberg (new ed. 1958), D. Ewen (rev. ed. 1970), E. Jablonski (1987), W. G. Hyland (2003), and H. Pollack (2006); C. Schwartz, Gershwin: His Life and Music (1973); R. Kimball and A. Simon, The Gershwins (1973); I. Gershwin, Lyrics on Several Occasions (1959, repr. 1997); E. Jablonski and L. D. Steward, The Gershwin Years (rev. ed. 1973); R. Kimball, ed., The Complete Lyrics of Ira Gershwin (1993); P. Furia, Ira Gershwin, The Art of the Lyricist (1995).

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited article

Gershwin, George
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this article
  • Highlights & Notes
  • Citations
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.